Wants to do too much with too little and ends up doing too little with too much.
Freedomland (2005)
Tomatometer
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
Reviews for Freedomland
A sometimes heavy-handed urban drama punctuated by some devastatingly effective scenes.
The performances all around are lousy -- histrionic and turgid, a most lethal combination.
Freedomland is full of hauntings, institutional and personal, with Brenda burdened at last with speaking some version of "truth."
Jackson, Moore and Falco keep things from ever becoming too tedious even with a made for TV plot for a film.
So why then does Freedomland feel like an artificial, manipulative and over-indulgent social commentary on race-baiting cynicism?
As with Spike Lee’s New York-set Clockers ... Freedomland is suffused with a similar, musky mix of race, class, crime and local political considerations.
The firm, steady presence of Karen Collucci (Falco), a leader of a volunteer group that looks for lost children gives a glimpse of what an interesting movie this could have been if it had not faltered under director Joe Roth's self-conscious ambitions.
How dare the man behind the camera of the intolerable "Christmas With the Kranks" tell Samuel L. Jackson what to do?
An unpleasant, strident film marred further by unpleasant, strident performances.
Freedomland wants to be about racism and madness, and I suppose it is, but the script provides too little information about the characters to make us care, or to draw parallels between them and ourselves.
Freedomland is, at best, a noble failure, which leaves the charred aftertaste of a burned opportunity.
Freedomland, a crime drama that's by turns grittily evocative, maddeningly obvious, and clichéd, but which gets an immeasurable lift from Jackson's majestic performance.
The thing that makes Freedomland riveting is the way in which its tale of human tragedy unfolds.
A personal tragedy and the national tragedy of racism go hand-in-hand in Freedomland, an affecting drama thinly disguised as a crime thriller.
Alternately histrionic and muddled, the racially charged drama Freedomland never resonates as it should.
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