a confusing and uninspiring movie that leaves you cold despite the best efforts of two otherwise talented actors
Freedomland (2005)
Tomatometer
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
Reviews for Freedomland
Not a miserable failure, but a failure nonetheless...preachy and unfocused.
a police procedural that understands ... the lines between victims and perps are neither bright nor wide
Price has had to greatly pare back his novel... but he and Roth don't seem to have figured out what this movie... is going to be about, hopping from issue to issue.
What starts off as a kidnapping thriller twists back and forth so often that it seems to get dizzy and forget what it's about.
The uncommon flavor and unconventional rhythms of Price's writing make Freedomland compelling.
It's a big lumpy mess of a movie, with a screaming, crying and babbling Moore at the center providing the unintentional laughs.
Roth winds up making a mockery of the weighty topics through his ham-fisted mistreatment of them, and he never manages to make any kind of point.
Without the fanfare of award-bating media hype to act as a blanket, Freedomland is fully revealed to be the anemic, idiotically observed film that it is.
The realities of the story are like those of real life. They're complicated. Pardon the pun, but nothing is ever so black and white.
Part cop drama, part race drama, part women-who-need-healing drama, all over the place.
Bungled just enough to make Freedomland a disappointing glimpse at what could have been.
It began as a moody, dark thriller and made an abrupt about-face to become a message movie, but at that point there was nothing in its dramatic arsenal.
It looks like director Joe Roth saw Crash and said, 'I can make a socially meaningful movie, too!' He can't.
[Julianne Moore] spends the entire film walking the razor's edge: gauging the difference between brilliance and disaster before assertively losing her balance.
There are places where you can see a subtler, angrier picture trying to kick its way out of the one you're watching.
Samuel L. Jackson, Julianne Moore and Edie Falco deliver the grand-slam performances largely missing from this year's Oscar lineup.
Even with an ideal cast and a script by Price himself, Roth lacks the sensibility to capture the subtle tensions between the black residents of a tenement project and the working-class whites in a neighboring city.
Steer clear of Freedomland, the movie. Your time would be better spent reading Richard Price's much more compelling 1998 novel.
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