The climactic cancan scene is one of the finest dance sequences ever filmed, and worth the price of a ticket on its own.
French Cancan (1954)
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Reviews Counted:11
Fresh:11
Rotten:0
Average Rating:8/10
Runtime: 1 hr 46 mins
Genre: Foreign Films
Synopsis: Renoir offers a knowingly romanticized version of show business life with this fictional account of the birth of the Cancan at the fabled Moulin Rouge in 1880s Monmartre. Jean Gabin stars as Henri... Renoir offers a knowingly romanticized version of show business life with this fictional account of the birth of the Cancan at the fabled Moulin Rouge in 1880s Monmartre. Jean Gabin stars as Henri Danglard, a theatrical impressario who steps inside a working class dance hall, and is instantly taken with one of the pretty dancers, Nini (Francoise Arnoul), who works as a laundress. He decides to renovate the run-down building, upgrade the choreography, and professionally train a group of talented amateur performers. But first, there are a few obstacles he must overcome. Danglard's girlfriend, belly-dancer Lola (Maria Felix) realizes that Henri's interest in Nini is more than professional, as does Nini's boyfriend Paolo (Franco Pastorino). To complicate matters, Lola's "patron," Baron Walter (Jean-Roger Caussimon), who Danglard hopes will help finance the project, is annoyed by Lola's public displays of affection for the promoter. Finally, tempers seem to abate, the Baron releases his funds, and the building is completed. Yet, at the opening ceremony, jealousy flares, as Paolo pushes Danglard into a deep construction hole, badly injuring the older man. Paolo demands that Nini choose between dancing at the Moulin Rouge and life with him. A highly entertaining, if nostalgic, view of the period, featuring superb color photography by Michel Kelber. [More]
Starring: Jean Gabin, Francoise Arnoul, Maria Felix
Starring: Jean Gabin, Francoise Arnoul, Maria Felix
Director: Jean Renoir
Director: Jean Renoir
Reviews for French Cancan
The birth of the Moulin Rouge lights up the screen in Jean Renoir's breathtaking, colourful vision of a bygone Paris.
French Cancan vibrantly brings to life the dawning days of the Moulin Rouge, complete with high-kicking choristers flaunting their frills.
...the fin de siecle Paris of our imagination, or of Auguste Renoir's paintings. Renoir's finale blends exhilarating showmanship and a carriageload of characters reconciled, their intrigues and follies stepping aside for 'the show must go on.'
M. Renoir's affectionate picture hasn't quite the class of Huston's Moulin Rouge. But it makes for diverting entertainment as sheer sentimental spectacle.
This is lighter than usual fare for Renoir, but his usual gracefulness is ever-present and he adds a distinct human center to the color and dazzle.
It’s a true spectacle; Renoir suggests that, potentially, for those involved in theater, all of life is.
This 1955 Technicolor musical is the easiest to like of Jean Renoir's late films, full of color, movement, and romance.
Little can prepare us for the dazzling set piece that closes the film.
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