An empty monument to the senility of American liberalism.
The Front (1976)
Tomatometer
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Reviews Counted:19
Fresh:14
Rotten:5
Average Rating:6.3/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: One of the first films made about the House Committee on Un-American Activities' (HUAC) communist "witch hunts" of the 1950s, THE FRONT is a bitterly funny look at one of the most notorious periods... One of the first films made about the House Committee on Un-American Activities' (HUAC) communist "witch hunts" of the 1950s, THE FRONT is a bitterly funny look at one of the most notorious periods in modern American history. Woody Allen stars as Howard Prince, a small-time bookie and cashier who is an old high school friend of the successful television writer Alfred Miller. When Miller is blacklisted, he goes to Howard and asks him to "front" for him, to pose as a writer and sell his scripts to television studios. Soon, Howard is made the head writer of a television series, fronting for other writers, and making more money than he ever had before. Unfortunately, Howard soon becomes the target of a HUAC investigation and is forced to choose between giving up his new lifestyle and making the right moral decision: implicating communists for the government. Frequently hilarious, THE FRONT is also a very personal film for its director, Martin Ritt, and its writer, Walter Bernstein, both of whom were blacklisted during the 1950s. [More]
Starring: Woody Allen, Zero Mostel, Herschel Bernardi, Michael Murphy
Starring: Woody Allen, Zero Mostel, Herschel Bernardi, Michael Murphy, Andrea Marcovicci, Lloyd Gough, Remak Ramsay, Charles Kimbrough
Director: Martin Ritt
Director: Martin Ritt
Screenwriter: Walter Bernstein
Producer: Martin Ritt
Composer: Dave Grusin
Reviews for The Front
Although made by those who were punished by being blacklisted during that period, the film disappoints by being so politically mild.
Any reminder of the tribulations undergone by the blacklistees serves a useful and eye-opening purpose, but good intentions and a sense of martyrdom don't by themselves fill the glass.
The tragedy implied by this character tells us what we need to know about the blacklist's effect on people's lives; the rest of the movie adds almost nothing else.
The Front may not be all you need to know about the 1950's blacklist tragedy, but it's certainly one of the finest films ever made on the subject.
Bernstein smartly suggests how capitalism actually benefited from the oppression of suspected communists.
Proves that no one can escape the long and intrusive arm of politics and evade involvement
Offers the bonus of the reality of its makers' involvement, and one of the greatest closing lines in the history of film.
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