Fugitive Pieces delivers its own evocative poetry.
Fugitive Pieces (2008)
Runtime: 1 hr 48 mins
Synopsis: Adapted from Anne Michael's acclaimed prose-poem novel, FUGITIVE PIECES is a harrowing and haunting tale of Holocaust survival and personal awakening. The film opens in Poland, as young Jakob Berr (Robbie Kay) is hidden away just before German soldiers storm into his Jewish family's home.... Adapted from Anne Michael's acclaimed prose-poem novel, FUGITIVE PIECES is a harrowing and haunting tale of Holocaust survival and personal awakening. The film opens in Poland, as young Jakob Berr (Robbie Kay) is hidden away just before German soldiers storm into his Jewish family's home. After watching his parents murdered and his sister dragged away to an uncertain fate, Jakob flees and hides in the woods. He is discovered by a kindly Greek archaeologist, Athos (Rade Sherbedgia), who smuggles the sickly Jakob back to his own island home and hides him for the rest of the war. Years later, having moved to Canada, the grownup Jakob (Stephen Dillane) has become a writer struggling to articulate his childhood horrors, haunted by the mystery of his sister's fate. But after his troubled emotions lead to the breakup of his marriage to the free-spirited Alex (Rosamund Pike), Jakob must exorcise the ghosts of his past if he is to close a traumatic chapter of his life and find beauty in the present. Director Jeremy Podeswa (THE FIVE SENSES) ably shifts between the different stages of Jakob's life, showing how grief can continue to influence one's actions--or inaction--in the years that follow a tragedy. Handsomely shot and thoughtfully acted, FUGITIVE PIECES is a touching testimony to the power of remembrance and redemption. [More]
Genre: Dramas
Starring: Stephen Dillane, Rade Sherbedgia, Rosamund Pike, Ayelet Zurer, Robbie Kay
Reviews
The great Serbian actor Rade Serbedzija gives Fugitive Pieces its heart.
... defaults to a kind of poetic conventionality that is unlikely to completely satisfy fans of either The Pianist or The Love Letter.
Fugitive Pieces is an often lovely work, haunting its viewer long afterward with its quiet observations on what remains with us.
Ultimately, Podeswa fashions this collection of familiar characters and overworked themes into something unique: a wistful parable about the destructive hold the past has on all of our lives and the absolute necessity of breaking it.
Tasteful, unremarkable art-house fare, rescued from complete irrelevance by Stephen Dillane's bottled-up performance as a writer scarred by the Holocaust.
If Fugitive Pieces has a message, it is that life can heal us, if we allow it.
Fugitive Pieces is often quiet, lyrical, reflective and underplayed. It doesn't minimize Holocaust suffering--far from it--but it strives, often successfully, to unearth the innate good in people Anne Frank alluded to so eloquently.
Everyone in the movie...is fabulous, and Podeswa has an ability to distill history into a few powerful images.
The cast is uniformly attractive and earnest. But the romanticized image of the tortured artist is the stuff of stereotype unless it's leavened with humor, or limned in art. In Fugitive Pieces, neither element appears in sufficient quantity.
The film occasionally gets weighed down by its ponderousness, but despite a few lags, it's always involving.
Sensitively adapted from the achingly sad, luminous novel by Anne Michaels, Fugitive Pieces is a story of unspeakable loss and how it eats at the souls of survivors.
Feels less like a redemptive survivor's story and more like a commercial for some terrific Mediterranean resort.
...a drama about good people struggling to make the right choices in life.
Bit by fragmented bit, it all adds up to a one-note portrait of its protagonist. Granted, that one note is a powerful one.
This lyrical drama about memory and survivor's guilt taps a deep reservoir of emotions.
A generally dull and unmemorable adaptation of Anne Michaels' extraordinary prose-poetry novel.
It’s a character study in which the lead participant is the least interesting person in the movie. There’s something inherently frustrating and unsatisfying about that.
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by: ReelReviewer.com 5/7


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