Far-out touches and liberal application of metaphor are compensated for by intensity and two mesmerising performances.
Fur: An Imaginary Portrait of Diane Arbus (2006)
Tomatometer
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Reviews Counted:108
Fresh:33
Rotten:75
Average Rating:4.9/10
Consensus: This portrait of a groundbreaking photographer lacks the daring of its subject.
Rated: 15 [See Full Rating] for graphic nudity, some sexuality and language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:16-03-2007
Synopsis: Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day... Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end. In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist. [More]
Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander
Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander, Emily Bergl, Boris McGiver, Christina Rouner, Harris Yulin
Director: Steven Shainberg
Director: Steven Shainberg
Producer: William Pohlad, Laura Bickford, Bonnie Timmermann, Andrew Fierberg
Composer: Carter Burwell
Studio: New Line Cinema
Reviews for Fur: An Imaginary Portrait of Diane Arbus
Kidman delivers another standout performance, transparent and magnetic. Burrell is no match for Downey’s hypnotic beast. The hairy romantic chemistry with Kidman is electric, the context inspired.
While Steven Shainberg and his collaborators should be congratulated for eschewing the traditional biopic route, Fur is a noble experiment that goes awry. Sad to say but this is not a film for anyone wishing to learn about Diane Arbus.
Kidman and Downey Jr’s moving performances more than make up for the film’s daft script.
Stylish, imaginative and beautifully directed, this is a slow-moving but utterly mesmerising drama with terrific performances from Kidman and Downey Jnr.
These are themes that everyone can identify with, especially when they're expressed with such intelligence and artistry.
Certainly the film isn't without its flaws. Then again, perfection is in the eye of beholder.
Kidman wades in over her depth in this genuinely odd but disappointingly flat attempt to recast a biopic as a fairytale.
[The] film illuminates Arbus’ artistically brilliant, emotionally unstable life for no longer than the popping of a flash bulb.
Fur may not be entirely convincing, but it’s made with a conviction that deserves respect.
Purists will howl at the liberties Shainberg has taken with the facts, but there's a bravery to Fur, an uncompromising commitment to its narrow focus -- of one woman's creative birth -- that rhymes with Arbus's own artistic courage.
Kidman guides the audience through this saga of self-discovery with pliable reserve and a communicative face.
As much a spiritual sequel to Secretary as an Alice in Wonderland twist on Cocteau's Beauty and the Beast.
Fur knows how to get under our skin, and it also knows something Arbus demonstrated in her unsettling work: Beauty comes from unexpected places.
Director Steven Shainberg's long awaited follow-up to his groundbreaking film "Secretary" (2002) is an anti-biopic that dares to read between the lines of its subject's life rather than replay the common knowledge events of photographer Diane Arbus' life.
To call Fur one of the year's best seems a little diminishing -- it's a classic.
In one of her best performances, Kidman impressively depicts the intensely emotional journey of Diane’s self-discovery.
Una película diferente y para nada complaciente con el espectador, que permite aproximarse a una de las artistas más influyentes del siglo XX.
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