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Movies / On DVD / Fur: An Imaginary Portrait of Diane Arbus
Fur: An Imaginary Portrait of Diane Arbus

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Fur: An Imaginary Portrait of Diane Arbus (2006)

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Reviews Counted:108

Fresh:33

Rotten:75

Average Rating:4.9/10

Consensus: This portrait of a groundbreaking photographer lacks the daring of its subject.

Rated: 15 [See Full Rating] for graphic nudity, some sexuality and language.

Runtime: 2 hrs 2 mins

Genre: Dramas

Theatrical Release:16-03-2007

Synopsis: Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day... Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end. In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist. [More]

Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander

Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander, Emily Bergl, Boris McGiver, Christina Rouner, Harris Yulin

Director: Steven Shainberg

Director: Steven Shainberg
Producer: William Pohlad, Laura Bickford, Bonnie Timmermann, Andrew Fierberg
Composer: Carter Burwell
Studio: New Line Cinema

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Reviews for Fur: An Imaginary Portrait of Diane Arbus

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41 - 60 (sorted by date; UK critics are listed first)
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For those who don't know Arbus' work, there's little to glean from this portrait.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
11/24/06
Michele Kenner
Michele Kenner
Milwaukee Journal Sentinel

It's cool and detached, and even its shocks feel calculated and contrived.

Full Review Source: Kansas City Star | comment Comment
11/23/06
Robert W. Butler
Robert W. Butler
Kansas City Star

You develop an eye on the exit sign and a new urgency to stop wasting your time on an unsatisfying film.

Full Review Source: Arizona Daily Star | comment Comment
11/22/06
Phil Villarreal
Phil Villarreal
Arizona Daily Star

Much of the film is absurdist nonsense, and its symbolism is of the plank-to-the-head variety.

Full Review Source: Minneapolis Star Tribune | comment Comment
11/21/06
Colin Covert
Colin Covert
Minneapolis Star Tribune

As a biopic, it is as meretricious as most, but as a myth about love and loss, about otherness and identity, about compassion and revulsion, about fetishism and sex, about art and life, it will likely stay with you for days.

Full Review Source: Arizona Republic | comment Comment
11/21/06
Richard Nilsen
Richard Nilsen
Arizona Republic

The movie officially becomes the one thing Arbus’s photography refused to be: normal.

Full Review Source: Boston Globe | comment Comment
11/21/06
Wesley Morris
Wesley Morris
Boston Globe

Fur is stuck with offering a reductive and unenlightening view of the real Arbus.

Full Review Source: RogerEbert.com | comment Comment
11/21/06
Jim Emerson
Jim Emerson
RogerEbert.com

Does it have to be a man that turns her into an artist? Sure he's just a metaphor, but it's still an absurd and insulting suggestion.

Full Review Source: Contra Costa Times | comment Comment
11/21/06
Mary F. Pols
Mary F. Pols
Contra Costa Times

Arbus's life has been put through the fantasy blender.

Full Review Source: Christian Science Monitor | comment Comment
11/21/06
Peter Rainer
Peter Rainer
Christian Science Monitor

If the movie is highly unlikely to connect with all who see it, it will connect on a deep level to some who do, in no small part because of Kidman's committed, even daring performance.

Full Review Source: Detroit Free Press | comment Comment
11/21/06
Terry Lawson
Terry Lawson
Detroit Free Press

This fractured beauty-and-the-beast fairytale comes off disturbingly simple-minded.

Full Review Source: Detroit News | comment Comment
11/21/06
Tom Long
Tom Long
Detroit News

Fur is a nice-looking movie, Kidman a fine actress, but the metaphorical purpose of the hairy-guy thing is at once too obvious and insufficient in explaining Arbus' work.

Full Review Source: Philadelphia Daily News | comment 1 Comment
11/21/06
Gary Thompson
Gary Thompson
Philadelphia Daily News

Arbus (whose actual work is unseen, presumably because of rights issues) remains an enigma, and Kidman's wispy portrayal doesn't give the film the center it needs.

Full Review Source: Seattle Times | comment Comment
11/21/06
Moira MacDonald
Moira MacDonald
Seattle Times

Kidman brings her character to life with a fey, moth-to-the-flame enthrallment that's both touching and fascinating.

Full Review Source: Seattle Post-Intelligencer | comment Comment
11/21/06
William Arnold
William Arnold
Seattle Post-Intelligencer

To call Fur one of the year's best seems a little diminishing -- it's a classic.

Full Review Source: San Diego Union-Tribune | comment Comment
11/21/06
David Elliott
David Elliott
San Diego Union-Tribune

The film takes enormous liberties by embellishing one small aspect of her life to the point of silliness.

Full Review Source: San Francisco Chronicle | comment Comment
11/21/06
Ruthe Stein
Ruthe Stein
San Francisco Chronicle

Fur knows how to get under our skin, and it also knows something Arbus demonstrated in her unsettling work: Beauty comes from unexpected places.

Full Review Source: St. Paul Pioneer Press | comment Comment
11/21/06
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

In Fur the filmmakers have created something more unbearable than the pretentious biopic of a suffering artist: the pretentious pretend biopic of a suffering artist.

Full Review Source: Northwest Herald (Crystal Lake, IL) | comment Comment
11/19/06
Jeffrey Westhoff
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)

A shaggy dog story for adults, but one that takes itself much too seriously...so pretentiously, and turgidly, dramatized that...it borders on the risible.

Full Review Source: One Guy's Opinion | comment Comment
11/19/06
Frank Swietek
Frank Swietek
One Guy's Opinion

Perverse, pretentious and tiresome fantasy - with a narrow, hallucinogenic depth of field.

Full Review Source: www.susangranger.com | comment Comment
11/19/06
Susan Granger
Susan Granger
www.susangranger.com
 
 
41 - 60 (sorted by date; UK critics are listed first)
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