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Movies / On DVD / Fur: An Imaginary Portrait of Diane Arbus
Fur: An Imaginary Portrait of Diane Arbus

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Fur: An Imaginary Portrait of Diane Arbus (2006)

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Reviews Counted:108

Fresh:33

Rotten:75

Average Rating:4.9/10

Consensus: This portrait of a groundbreaking photographer lacks the daring of its subject.

Rated: 15 [See Full Rating] for graphic nudity, some sexuality and language.

Runtime: 2 hrs 2 mins

Genre: Dramas

Theatrical Release:16-03-2007

Synopsis: Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day... Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end. In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist. [More]

Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander

Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander, Emily Bergl, Boris McGiver, Christina Rouner, Harris Yulin

Director: Steven Shainberg

Director: Steven Shainberg
Producer: William Pohlad, Laura Bickford, Bonnie Timmermann, Andrew Fierberg
Composer: Carter Burwell
Studio: New Line Cinema

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Reviews for Fur: An Imaginary Portrait of Diane Arbus

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81 - 100 (sorted by date; UK critics are listed first)
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Like the artists who stock the Whitney Biennial with their plastic puddles of vomit, Fur works feverishly to dress up clichés.

Full Review Source: New York Post | comment Comment
11/10/06
Kyle Smith
Kyle Smith
New York Post

Both in art and in death, Arbus escaped the demeaning constraints of society. By envisioning her as a flawlessly gorgeous mouse with no will of her own, [director] Shainberg and [screenwriter] Wilson have dragged her back.

Full Review Source: New York Daily News | comment Comment
11/10/06
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News

In one of her best performances, Kidman impressively depicts the intensely emotional journey of Diane’s self-discovery.

Full Review Source: Boxoffice Magazine | comment Comment
11/10/06
Ed Scheid
Ed Scheid
Boxoffice Magazine

That the picture collapses into near-total absurdity doesn't diminish the daring of its concept, although it certainly calls into question its utility.

Full Review Source: MTV | comment Comment
11/10/06
Kurt Loder
Kurt Loder
MTV

Academy Award winner Kidman is a marvelous actress, but her decision to play Arbus as a painfully shy, wavering waif diminishes her believability as an innovative artist.

Full Review Source: About.com | comment Comment
11/10/06
Marcy Dermansky
Marcy Dermansky
About.com

An alluring psychodrama about Diane Arbus that celebrates freaks, the start of something completely different, and the liberation that comes when soul mates share their innermost secrets.

Full Review Source: Spirituality and Practice | comment Comment
11/10/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Kidman guides the audience through this saga of self-discovery with pliable reserve and a communicative face.

Full Review Source: eFilmCritic.com | comment Comment
11/09/06
Brian Orndorf
Brian Orndorf
eFilmCritic.com

Arbus was surely a complex personality and should have been given credit for it. Here, she's practically presented as a cipher.

Full Review Source: ReelTalk Movie Reviews | comment Comment
11/09/06
Jeffrey Chen
Jeffrey Chen
ReelTalk Movie Reviews

doesn't necessarily bore but rather confounds

Full Review Source: Filmcritic.com | comment Comment
11/09/06
Chris Cabin
Chris Cabin
Filmcritic.com

If you are seeking illumination about Arbus' artistry or her psyche, it's not here.

Full Review Source: USA Today | comment Comment
11/09/06
Claudia Puig
Claudia Puig
USA Today

Fur starts stylishly, and confidently, but the film dwindles down to a chamber piece in a claustrophobic chamber.

Full Review Source: Wall Street Journal | comment Comment
11/09/06
Joe Morgenstern
Joe Morgenstern
Wall Street Journal

This Alice in Wonderland-esque fable, tracking her theoretical evolution from repressed wallflower to visionary artist, doesn't go deep enough down the rabbit hole.

Full Review Source: E! Online | comment Comment
11/09/06
Matt Stevens
Matt Stevens
E! Online

It remains simultaneously too far-fetched and thesis-driven to be convincing and too feelingly done to be ignored.

Full Review Source: Los Angeles Times | comment Comment
11/09/06
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

As much a spiritual sequel to Secretary as an Alice in Wonderland twist on Cocteau's Beauty and the Beast.

Full Review Source: Bryant Frazer's Deep Focus | comment Comment
11/09/06
Bryant Frazer
Bryant Frazer
Bryant Frazer's Deep Focus

If so blatant a fiction is placed in a co-starring role into an account of a real life what can you usefully take away from the movie?

Full Review Source: TIME Magazine | comment Comment
11/09/06
Richard Schickel
Richard Schickel
TIME Magazine
Top Critic Icon Top Critic

Fur's misstep, and it is significant, is in the creature design of Lionel. The resemblance to Chewbacca is uncanny. He also looks a little like Lon Chaney's Wolf Man.

Full Review Source: ReelViews | comment Comment
11/09/06
James Berardinelli
James Berardinelli
ReelViews

Freighted with a risible air of pretension and gloom.

Full Review Source: Newsday | comment Comment
11/09/06
Jan Stuart
Jan Stuart
Newsday

Fur is that rare movie that's too understated, so quiet and deliberate that it effectively buries consuming passions.

Full Review Source: AV Club | comment Comment
11/09/06
Scott Tobias
Scott Tobias
AV Club

Downey, however, is remarkable, suppressing his trademark jitters and ticks and delivering a performance of heartbreaking sensitivity, no matter that he spends almost all of his screen time staring out from behind a forest of head-to-toe body hair.

Full Review Source: L.A. Weekly | comment Comment
11/09/06
Scott Foundas
Scott Foundas
L.A. Weekly

Is it more interesting and entertaining than a straightforward biopic of Arbus would have been? Maybe. Is it more illuminating? Probably not.

Full Review Source: Associated Press | comment Comment
11/08/06
David Germain
David Germain
Associated Press
 
 
81 - 100 (sorted by date; UK critics are listed first)
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