Keaton is terrific, as is the entire cast; the result is a lean, polished little gem.
Game 6 (2006)
Tomatometer
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Reviews Counted:37
Fresh:22
Rotten:15
Average Rating:5.9/10
Runtime: 87 mins
Genre: Comedies
Synopsis: Written by award-winning novelist Don DeLillo (WHITE NOISE, UNDERWORLD) and directed by Michael Hoffman (SOAPDISH, ONE FINE DAY), GAME 6 is a smart psychological study of a man unable to face the... Written by award-winning novelist Don DeLillo (WHITE NOISE, UNDERWORLD) and directed by Michael Hoffman (SOAPDISH, ONE FINE DAY), GAME 6 is a smart psychological study of a man unable to face the reality of his life. Michael Keaton stars as Nickey Rogan, a successful playwright of Broadway fluff whose new, serious play is scheduled to open on October 25, 1986 -- the same night his beloved Boston Red Sox have a chance at winning the World Series, playing Game 6 against the New York Mets at Shea Stadium. Despite his popular success, Rogan sees his life as being as futile as the Red Sox, who have not won the baseball championship since 1918. He's not very close with his daughter (Ari Graynor), his wife (Catherine O'Hara) is divorcing him, his girlfriend (Bebe Neuwirth) doesn't understand him, and his lead actor (Harris Yulin) has a parasite in his brain that is causing him to forget his lines. Meanwhile, Rogan is terrified that hated theater critic Steven Schwimmer (Robert Downey Jr.) will tear his play apart, leaving him a shell of a man, like his friend Elliot Litvack (Griffin Dunne). A former cabdriver, Rogan spends much of the day stuck in taxis in heavy traffic, attempting to engage the hacks in conversation, and bonding better with strangers than with his friends and family. As the curtain approaches, he can't decide whether he'd rather be at the play or watching the game on television, afraid that both might fail him. Hoffman sets the film in a tight-knit New York City community that moves at a snail's pace, where coincidences both welcome and not abound. Keaton excels as the tortured soul who is looking for that critical hit--in both Broadway and baseball parlance. He just can't face another ball going through his legs. Hoboken's Yo La Tengo composed the movie's excellent score. [More]
Starring: Michael Keaton, Robert Downey, Griffin Dunne, Bebe Neuwirth
Starring: Michael Keaton, Robert Downey, Griffin Dunne, Bebe Neuwirth, Catherine O'Hara, Ari Graynor, Shalom Harlow, Nadia Dajani, Harris Yulin
Director: Michael Hoffman
Director: Michael Hoffman
Screenwriter: Don DeLillo
Producer: Michael Nozik, Amy Robinson, Christina Weiss Lurie, Griffin Dunne, Leslie Urdang
Composer: Yo La Tengo
Studio: Kindred Media Group
Reviews for Game 6
A meditation on American theater and the Great American Pastime that hovers above the surface of reality but never quite takes off, either.
If you're looking for a film about smart, confused people who make mistakes (like Buckner) and try to learn from them, this could be it.
Novelist Don DeLillo brings many of his strengths to the screenplay for Game 6.
As a Sox fan and a writer, Game 6 spoke to me. Viewers without interest in baseball, DeLillo or criticism, may feel that the movie is just a short trip to nowhere.
A very nice and simple film, with clear messages and sparklingly witty dialogue.
Yup, it's one of those philosophical movies about the nature of life and why the Red Sox always lose.
No writer could ever top the high drama witnessed in Game 6 of the 1986 World Series — which may be the point of this sloppy but endearing mash note to baseball, art and fate.
Game 6 is enthralled with the sound of its words, even as it loves the deliberate, sensual pace of a well-played (or well-lost) ball game.
Screenwriter DeLillo and director Michael Hoffman have a near-perfect player in Michael Keaton.
Um retrato pretensioso de Nova York como centro dramático do mundo que acaba se salvando em função dos bons diálogos e das ótimas performances de Keaton e Downey Jr.
The film is meandering and highly uneven, but Robert Downey Jr. is truly oddball as a venomous drama critic, and watching that ball once again roll through Bill Buckner's legs is torture (for Red Sox fans anyway).
Keaton embraces his role with a relish he hasn't shown in more than a decade, winding his character into new corners of desperation with each scene.
This material could be pitched at various levels. You can imagine it being incorporated into a sequel to The Producers, or being transformed into quasi-O'Neill.
A shaky director, a deadly critic and a losing ball club collide in an entertaining surreal showdown just off Broadway.
The Red Sox as fatalistic metaphor is almost a quaint notion now, but Game 6 brings it all back to vivid life.
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