Though the performances are all first-rate, the film is let down by weak characterisation. Still, it’s enjoyable, if not exceptional.
A Girl Cut in Two (2008)
Tomatometer
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Reviews Counted:76
Fresh:56
Rotten:20
Average Rating:6.3/10
Consensus: Nouvelle Vague master Claude Chabrol balances subtle stabs of humor and biting class criticism to explore a love story and the seedier side of the haute bourgeois.
Theatrical Release:22-05-2009
Synopsis: In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol... In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol (MERCI POUR LE CHOCOLAT), the decision isn't an easy one, and the results are far from romantic. Gabrielle meets the distinguished, married writer Charles Saint-Denis (François Berléand, THE TRANSPORTER) and is immediately captivated. At the same time, she encounters a spoiled heir, Paul (Benoît Magimel, THE PIANO TEACHER), who is equally taken with her. Gabrielle bounces between the two men until she finally makes a choice. But despite her fairy tale princess looks, there isn't a happy ending for Gabrielle. Chabrol has crafted a mature, sexy thriller. It's lacks a fast pace and a lot of skin, but there's plenty of tension throughout the film. The steam in A GIRL CUT IN TWO doesn't come from sexy love scenes--instead it's the potboiler plot that has each man providing a different brand of menace for Gabrielle. Though Gabrielle--like her suitors--isn't an especially likeable character, she's played with impressive skill by Sagnier. The young actress is one of France's biggest stars, and with good reason: she's worked with the country's most prominent directors, including Christophe Honoré, Claude Miller, and Yvan Attal, and she's done multiple films with François Ozon. Turning in a great performance for legendary director Chabrol here certainly won't hurt her standing at home or abroad. [More]
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli, Mathilda May
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Cécile Maistre, Claude Chabrol
Producer: Patrick Godeau
Composer: Matthieu Chabrol
Studio: IFC Films
Reviews for A Girl Cut in Two
This description may make this movie sound much more interesting than it is.
One’s final impression is that aging legends make unreliable puppet-masters. And that it’s all too easy for a desirable young actress to be left dangling in mid-air.
The relationships are never completely convincing and there are too many unresolved questions to create an entirely satisfying tale.
This is one of Chabrol’s most elegant, acerbic and heartfelt entertainments in years.
Too cold and cynical to be truly enjoyed but the old dog still has a few new tricks up his sleeve.
The performances drip with cliché, while the narrative is all over the place: plot developments are either clumsily telegraphed or given the flimsiest of dramatic explanation.
With elegance and despatch, veteran new wave master Claude Chabrol has brought off his most enjoyable film for some time.
Chabrol may be one of the great survivors of the New Wave, but this is an old man’s film.
Patronising, unsexy, and heavy with the musty smell of a director past his sell-by-date, you're advised to cut this off at the ankles.
An elegant, darkly amusing effort that relishes taking digs at the middle-classes while leaving its characters’ supposedly perverse acts firmly to our imaginations.
Most people won't care enough about these people or believe in their relationships to sit out all 115 minutes of this icily mannered film that continually hints at darker, more subversive themes of sado-masochism than it dares to explore.
By the time the story springs to life and becomes the thriller, of sorts, that it seems set up to be, we have had to sit through 90-odd minutes of turgid melodrama.
One keeps hoping that some of that sinister Chabrolian wit will enliven the film's smooth surface, but alas, it never does.
A pitch-black fusion of dark comedy, icy melodrama and satirical sideswipes at the class system, held together with an absorbing lead performance.
Enjoyably dark, superbly acted French drama that proves veteran director Claude Chabrol hasn't lost his touch.
It's cynical business as usual for Claude Chabrol, who offers plentiful style and psychological finesse, if few surprises, in his latest jaundiced and sophisticated entertainment.
It's not fresh material, but in the hands of a master like Chabrol it appears like a fresh breeze.
Talk is everything, with action hinted at the edges, as Chabrol's camera sidles off to look at a casually thrown book, or skates away from anything salacious.
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August 10, 2008:
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