It's a period piece which moves about as fast as paint dries, but it takes us inside the world of a great artist.
Girl with a Pearl Earring (2003)
Tomatometer
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Reviews Counted:170
Fresh:122
Rotten:48
Average Rating:6.8/10
Consensus: Visually arresting, but the story could be told with a bit more energy.
Theatrical Release:16-01-2004
Synopsis: Delft, Holland, 1665. After her father, a tile painter, is blinded in a kiln explosion, seventeen-year-old Griet must work to support her family. She becomes a maid in the house of Johannes... Delft, Holland, 1665. After her father, a tile painter, is blinded in a kiln explosion, seventeen-year-old Griet must work to support her family. She becomes a maid in the house of Johannes Vermeer and gradually attracts the master painter's attention. Though worlds apart in upbringing, education and social standing, Vermeer recognizes Griet's intuitive understanding of color and light and slowly draws her into the mysterious world of his paintings. Vermeer is a perfectionist, often taking months to finish a painting. His shrewd mother-in-law, Maria Thins, struggles to maintain the family's lavish lifestyle on the income from his painstakingly meager output. Seeing that Griet inspires Vermeer, she takes the dangerous decision to allow their clandestine relationship to develop. Plunged into a chaotic Catholic household run by Vermeer's volatile wife Catharina, surrounded by an ever-increasing brood of children, Griet is increasingly at risk of exposure or worse. Twelve-year-old Cornelia, a mischievous girl who sees more than she should, quickly grows jealous and suspicious of Griet and is determined to cause trouble. Alone and unprotected, Griet also contends with the attentions of Pieter, a local butcher boy, and Vermeer's patron, the wealthy and lascivious Master van Ruijven, who is frustrated that his money does not buy him control over the artist. While Griet falls increasingly under Vermeer's spell, she cannot be sure of his feelings for her. The Machiavellian van Ruijven, sensing the intimacy between master and maid, gleefully contrives a commission for Vermeer to paint Griet alone. The result will be one of the greatest paintings ever created, but at what cost? [More]
Starring: Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy
Starring: Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy, Essie Davis, Judy Parfitt, Alakina Mann
Director: Peter Webber
Director: Peter Webber
Screenwriter: Olivia Hetreed
Producer: Andrew Paterson, Anand Tucker
Composer: Alexandre Desplat
Studio: Lions Gate Films
Reviews for Girl with a Pearl Earring
We talk pejoratively of films being soporific, but this one sort of lulls you into a restful complacency.
The quiet and unconventional relationship between Johansson and Firth is refreshing to watch.
This year's version of Rabbit-Proof Fence – a flick with practically zero story made more than worthwhile for the cinematography alone.
An earnest, obvious melodrama with no soul, filled with the longing silences that come after a sigh.
Even if Girl With a Pearl Earring is not nearly as remarkable dramatically as it is visually, it is, finally, a film of great beauty, and that is something worth appreciating.
It partakes of Vermeer's spirit and style, and that makes it one of the year's best movies.
Visually, the film is breathtaking. And Johansson, while not looking much like the Girl with the Pearl, does achieve a Vermeer- like sublimity, against which the ill winds of 1600s Holland blow.
The picture's elegant look consistently delights the senses, but its lack of substance ultimately leaves the viewer feeling comparatively undernourished.
Girl with a Pearl Earring tries too hard to be arthouse and not hard enough to qualify its tenuous connection to art
A slight but considerably enchanting tale of impossible romance and artistic discovery.
The Girl with a Pearl Earring ends with a whimper, never having figured out how to let its hair down.
Earring makes a play as an intense tale of love gone wrong amidst a period backdrop. Too bad that kind of intensity rarely comes across in a movie rated PG-13.
Offers sumptuous visuals and compelling drama effectively intermingled in a pleasing, satisfying production.
captures the look and feel of Johannes Vermeer's 17th century masterpieces ... but the plot languishes on the screen about as long as it takes Vermeer's oils to dry.
As the imaginary historical subject, Johansson holds her frequent close-ups with considerable authority.
The film lacks soul and no amount of floor scrubbing minutiae is going to give you that.
Director Peter Webber has created an erotic masterpiece that shimmers with visual beauty and a deep appreciation of the exquisite art of Jan Vermeer.
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