Doesn't necessarily reveal the insight behind the composer's unique brand of music so much as display the working mode of a passionate artist.
Glass: A Portrait of Philip in Twelve Parts (2008)
Tomatometer
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Reviews Counted:27
Fresh:22
Rotten:5
Average Rating:6.5/10
Runtime: 1 hr 59 mins
Genre: New York City, Buddhism, Theatrical Release
Synopsis: When notable narrative director Scott Hicks (SHINE, SNOW FALLING ON CEDARS) picked up an HD camera to shoot some footage of celebrated composer Philip Glass, he had no intention of turning it into... When notable narrative director Scott Hicks (SHINE, SNOW FALLING ON CEDARS) picked up an HD camera to shoot some footage of celebrated composer Philip Glass, he had no intention of turning it into a feature-length documentary. Yet after capturing so much insightful footage and realizing that Glass and his family and friends were up to the task, that is exactly what happened. With GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS, Hicks has delivered an intimate, illuminating glimpse into the life of one of America's most fascinating artists. The film's present-day footage follows Glass as he works on his Eighth Symphony and also prepares to present the operatic spectacle BARBARIANS AT THE GATE. But his current duties don't stop there. He's also busy scoring Woody Allen's CASSANDRA'S DREAM in addition to several more films. Glass is an obsessive workaholic who takes his work with him even when he goes on vacation (to the disappointment of his third wife, Holly, who expresses her feelings in one of the film's most unexpectedly revealing moments). Meanwhile, Hicks visits close friends and family members, who recount Glass's life story with clarity and humor. But the film really belongs to Glass himself, whose pragmatic approach to creation is daunting and inspiring. To him, one must show up every single day and put in the time to create work that is worthy of preservation. To remain focused, he performs many different spiritual and physical acts of meditation and exercise. GLASS often feels more like a home movie than an outright documentary, proving that Hicks is as adept at shooting real life as he is at filming screenplays. [More]
Director: Scott Hicks
Director: Scott Hicks
Producer: Susane Preissler, Scott Hicks
Composer: Philip Glass
Studio: Kino International
Reviews for Glass: A Portrait of Philip in Twelve Parts
Hicks avoids many of the pitfalls of artist portraits by grounding the musician firmly in every day reality.
Hicks has made one of the best films I have seen about the mind of a creative artist.
A solid portrait that should engage both fans and newbies alike, shot by Hicks himself, cinema verite style.
Shot on a tight budget and a tighter calendar, the film offers a cinematic style which borders on verite in approach and execution.
There is a genuine warmth to the film that is underscored by Glass' modesty, a quality both fans and non-fans will respond to.
This is an exhaustive and at times exhausting documentary; it’s well made and revealing but it required much more editing...
A fitting tribute to the man and the musician, which will remind fans of his genius and point newcomers to his broad and brilliant oeuvre.
Things perk up when Hicks focuses on Glass' music and working methods, especially with the filmmakers (Woody Allen, Errol Morris and Martin Scorsese included) whose works he's scored.
Hicks structures Glass in 12 vignettes, each highlighting a different aspect of Glass' life, and some are more compelling than others.
Although rich in family scrapbooks and anecdotes, Scott Hicks' documentary on composer Philip Glass is a portrait of the artist in the present tense.
Scott Hicks' fascinating new film on Philip Glass ... gives an up-close and very personal view of a man who lives completely inside music.
It seems like a huge waste of time to have this much access to Glass, but come up with little more than a fan page.
A hair’s breadth from hagiography, Scott Hicks’s Glass: A Portrait of Philip in Twelve Parts is much like its subject: affable, quotable and emotionally guarded in the extreme.
As fascinating as Glass often is, it's simultaneously too conventional and not conventional enough.
[Director] Hicks, provided with unprecedented access to his subject’s family, friends and collaborators, offers fresh insight into Glass’s insatiable drive and pragmatic cosmology.
Career of modern classical composer revisited by generally reverential retrospective.
Latest News for Glass: A Portrait of Philip in Twelve...
April 21, 2008:
Trailer & Poster review ![]()
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April 16, 2008:
An intimate peek into an elite mind, warts and all. ![]()
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