Feels like a museum-quality reproduction of a time, place and style that is an acquired taste at best.
The Golden Bowl (2001)
Tomatometer
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Reviews Counted:85
Fresh:45
Rotten:40
Average Rating:5.3/10
Consensus: Coming from the Merchant-Ivory team, The Golden Bowl is visually stunning, but the filmmakers have difficulty in transporting the characterizations of the Henry James novel to the screen.
Runtime: 2 hrs 10 mins
Genre: Dramas
Synopsis: Set in the rarified world of affluent American expatriate England and Italy between 1903 and 1909, THE GOLDEN BOWL tells the story of an extravagantly rich American widower and his sheltered... Set in the rarified world of affluent American expatriate England and Italy between 1903 and 1909, THE GOLDEN BOWL tells the story of an extravagantly rich American widower and his sheltered daughter, both of whom marry only to discover that their respective mates are romantically entangled with one another. ADAM VERVER (Nick Nolte), America's first billionaire, and his daughter MAGGIE (Kate Beckinsale) live a privileged life in Europe, surrounding themselves with beautiful objects and amassing one of the world's greatest art collections. Their intimate family circle expands when Maggie decides to marry PRINCE AMERIGO (Jeremy Northam), an impoverished (but authentically aristocratic) descendent of a long line of Italian princes, and invites her beautiful, but impecunious school friend CHARLOTTE STANT (Uma Thurman) to attend their wedding. Amerigo and Charlotte have a secret. They are lovers, forced to separate because they are too poor to marry each other. While Charlotte knows that their affair must end, she cannot control her passion for Amerigo. She hides her emotions as best she can, feigning happiness for the couple. She and the Prince have one last rendezvous when they shop together for a wedding present for Maggie. They find an unusual golden bowl, but reject it when they discover that it has a hidden flaw. As Amerigo settles into a domestic routine with Maggie, he discovers that his marriage has a flaw, too. His wife and her father are inseparable, just as they were before her marriage. Maggie invites Charlotte to be their houseguest and encourages her to spend time with Adam, too. In a sudden and seemingly happy twist of fate, Adam proposes to Charlotte and she accepts, despite the age difference between them. For the first time in her life, she is a wealthy woman. But her newfound security is a mixed blessing. As time passes, and Adam and Maggie retreat deeper and deeper into their private world. Charlotte and Amerigo realize that, like the magnificent works of art that surround them, they have become prized additions to the Verver collection. Convinced that fate has brought them together a second time, Charlotte and Amerigo surrender to their passions, secretly betraying their seemingly unsuspecting spouses. But the elusive golden bowl comes back to haunt them, changing Maggie's perception of her relationship with her husband and provoking her to do anything to accomplish her new and most important goal: to have a marriage without a flaw, at any expense. -- © 2001 Lions Gate [More]
Starring: Uma Thurman, Jeremy Northam, Kate Beckinsale, Nick Nolte
Starring: Uma Thurman, Jeremy Northam, Kate Beckinsale, Nick Nolte, James Fox, Madeleine Potter, Peter Eyre, Anjelica Huston
Director: James Ivory
Director: James Ivory
Screenwriter: Ruth Prawer Jhabvala
Producer: Ismail Merchant
Composer: Richard Robbins
Studio: Lions Gate Films
Reviews for The Golden Bowl
The flaws in The Golden Bowl, like the crack in the bowl itself, don't detract from its intriguing beauty.
Is there such a thing as too much beauty, too much period elegance, too much good taste? The Golden Bowl seems to tip the scale.
This lusty, modern adaptation by Ruth Prawer Jhabvala gives the art house crowd a period soap opera
None of its minor shortcomings can take the viewer away from the talent with which this cast brings to Henry James' characters.
Translates much of the novel's coy phrasing into literal representations and its characters into awkward embodiments of era-bound sentiments.
Either take it or leave it, but at least it's a beautiful thing to see.
It is beautifully, dramatically and grandly long, tedious, boring and slow.
Although aficionados of art house pictures will probably eat up what's offered here, there isn't enough substance or story - despite the interwoven setup and potential -- to compensate for the long and slow feeling running time.
Makes the viewer wish that Ivory had cast a more accomplished actress -- Kate Winslet, perhaps, or Cate Blanchett -- who could give dimension to the character and indicate subtext in a way that Thurman can't.
Swift and downright suspenseful at times, yet lacking in the wealth of subtleties and depth of character which mark their finest works.
The Golden Bowl is a feast for those who love nuanced conversation, unspoken emotion and guarded looks.
Ivory has been away from period literary adaptations, backbone of the Merchant Ivory reputation, for some time. It's good to have him back, but Golden Bowl shows he needs to do some work to reacquire his golden touch.
Unlike A Room With a View or Howards End, it doesn't bring a book to life so much as distill it into visual Cliff's Notes.
On the whole, though, it's easy to think of this Golden Bowl as half full rather than half empty.
May not be the best film to come from the Ismail Merchant/James Ivory team, but it's certainly one of the most beautiful.
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