Not as inspiring as it should be.
Golden Door (2007)
Tomatometer
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Reviews Counted:83
Fresh:59
Rotten:24
Average Rating:6.8/10
Consensus: Slow-moving but ultimately rewarding, Golden Door is a profound drama with scenes of fantastical magical realism, lively humor, and stunning images.
Theatrical Release:29-06-2007
Synopsis: Set in 1913, GOLDEN DOOR begins in a treacherous, barren, and rocky area of the Sicilian countryside. On advice from a stranger, a widowed father named Salvatore Mancuso (Vincenzo Amato) decides to... Set in 1913, GOLDEN DOOR begins in a treacherous, barren, and rocky area of the Sicilian countryside. On advice from a stranger, a widowed father named Salvatore Mancuso (Vincenzo Amato) decides to make the difficult voyage to America with his two sons (one of whom is deaf and mute) and his stubborn, highly superstitious mother, Fortunata (Aurora Quattrocchi). Just before boarding the boat, they meet Lucy (Charlotte Gainsbourg), a mysterious and refined British woman who pretends to be with the Mancuso family while their pictures are being taken. During their journey, Lucy tells Salvatore she needs to find a man to marry before arriving in New York. The reasons are never fully explained, but Salvatore is attracted to her, and so he agrees. After arriving at Ellis Island, the family must endure the long battery of tests that are part of the standard entrance procedure. The plot of GOLDEN DOOR is simple, but the film is not, thanks to interesting stylistic choices. What differentiates GOLDEN DOOR from other films of its genre are the surrealist, imaginative avenues it takes most unexpectedly. Amid a sea of authentic costumes and realistic sets, director Emanuele Crialese places playful scenes of stunning beauty. This gives the film an open feel and an optimism one would never expect from the opening sequence, which is bleak, to say the least. As the characters travel to America, their minds open up to a new way of seeing. The experience of the journey is presented as difficult, but never horrific, and the strength of the characters is in their ability to remain dignified, even under potentially humiliating scenarios. [More]
Starring: Charlotte Gainsbourg, Vincenzo Amato, Aurora Quattrocchi, Vincent Schiavelli
Starring: Charlotte Gainsbourg, Vincenzo Amato, Aurora Quattrocchi, Vincent Schiavelli
Director: Emanuele Crialese
Director: Emanuele Crialese
Screenwriter: Emanuele Crialese
Producer: Alexandre Mallet-Guy, Fabrizio Mosca, Emanuele Crialese
Composer: Castrigano
Studio: Miramax Films
Reviews for Golden Door
The early parts require some patience, but the film richly rewards that patience. I know of no film that so patiently and so completely documents the Ellis Island experience.
So enjoyable and visually stimulating is the experience, it's tough to knock Crialese's Door.
Although it has a gorgeous, lyrical visual style, it contains no stirring speeches or sentimentality.
Golden Door belongs to(Vincenzo) Amato (Respiro). He makes this tale of woe and wonderment the charmer it turns out to be.
[Director] Crialese's talent for poetic illusion, and for finding the general within the microcosm, is reminiscent of Steven Spielberg.
There's a certain remoteness to the story that might keep some members of the audience at bay.
Yes, the details are spot-on and realistic in the extreme. But we've seen them before. It's the story Crialese hangs this detail on that's weak.
At its best, The Golden Door generates the excitement to be had whenever a historical movie achieves the shock of the new.
[Director] Crialese establishes moods beautifully, whether in surreal visions (such as Salvatore swimming in the river of milk flowing in California) or in hardscrabble realities.
Thanks to the director’s own mix of fantasy and social commentary, there’s nothing quite like Golden Door.
[Crialese's] gorgeous, evocative images... are housed, like a great exhibit in a museum with overly long hallways, in a sluggishly paced narrative.
Its minutiae don't bring a lump in the throat -- just a drumming of the fingers.
The rhythms of the movie are slow and daydreamy, but [director] Crialese delights in breaking up the realism with his protagonist’s mystical -- almost madcap -- visions of the New World’s abbondanza.
Director Emanuele Crialese makes this touching story very entertaining by injecting wild visuals (through neat fantasy sequences) and utilizing a somewhat modern score and soundtrack.
The film never really coheres, and although some scenes are amazing, the total is slow, ponderous and sometimes silly.
Latest News for Golden Door
June 14, 2007:
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June 12, 2007:
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May 24, 2007:
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May 19, 2007:
Rarely has a film penetrated beneath the usual stereotypes to the private fears and conflicted dreams of immigrants of whatever time. ![]()
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