[Director] Crialese ends his film on an exquisite note of fantasy: an indelible image of hope and good fortune. His vision is unique; his film, strange and lovely.
Golden Door (2007)
Tomatometer
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Reviews Counted:83
Fresh:59
Rotten:24
Average Rating:6.8/10
Consensus: Slow-moving but ultimately rewarding, Golden Door is a profound drama with scenes of fantastical magical realism, lively humor, and stunning images.
Theatrical Release:29-06-2007
Synopsis: Set in 1913, GOLDEN DOOR begins in a treacherous, barren, and rocky area of the Sicilian countryside. On advice from a stranger, a widowed father named Salvatore Mancuso (Vincenzo Amato) decides to... Set in 1913, GOLDEN DOOR begins in a treacherous, barren, and rocky area of the Sicilian countryside. On advice from a stranger, a widowed father named Salvatore Mancuso (Vincenzo Amato) decides to make the difficult voyage to America with his two sons (one of whom is deaf and mute) and his stubborn, highly superstitious mother, Fortunata (Aurora Quattrocchi). Just before boarding the boat, they meet Lucy (Charlotte Gainsbourg), a mysterious and refined British woman who pretends to be with the Mancuso family while their pictures are being taken. During their journey, Lucy tells Salvatore she needs to find a man to marry before arriving in New York. The reasons are never fully explained, but Salvatore is attracted to her, and so he agrees. After arriving at Ellis Island, the family must endure the long battery of tests that are part of the standard entrance procedure. The plot of GOLDEN DOOR is simple, but the film is not, thanks to interesting stylistic choices. What differentiates GOLDEN DOOR from other films of its genre are the surrealist, imaginative avenues it takes most unexpectedly. Amid a sea of authentic costumes and realistic sets, director Emanuele Crialese places playful scenes of stunning beauty. This gives the film an open feel and an optimism one would never expect from the opening sequence, which is bleak, to say the least. As the characters travel to America, their minds open up to a new way of seeing. The experience of the journey is presented as difficult, but never horrific, and the strength of the characters is in their ability to remain dignified, even under potentially humiliating scenarios. [More]
Starring: Charlotte Gainsbourg, Vincenzo Amato, Aurora Quattrocchi, Vincent Schiavelli
Starring: Charlotte Gainsbourg, Vincenzo Amato, Aurora Quattrocchi, Vincent Schiavelli
Director: Emanuele Crialese
Director: Emanuele Crialese
Screenwriter: Emanuele Crialese
Producer: Alexandre Mallet-Guy, Fabrizio Mosca, Emanuele Crialese
Composer: Castrigano
Studio: Miramax Films
Reviews for Golden Door
Emanuele Crialese's wondrous Nuovomondo (Golden Door) recalls America's erstwhile promise with a mix of exhilaration and delicacy, peppered with judicious insight.
Images on a movie screen can either show the truth literally or evoke it emotionally. The Golden Door, tries to do both, alternating visions of stark realism with poetically dreamlike material in an unsteady and, ultimately, unsatisfying blend.
Director Emanuele Crialese passes no judgments, capturing the mundane and miraculous alike.
Despite the hardships depicted, Golden Door is a sweet film at heart, playing witness to the birth pangs of modern America with both due respect and the occasional comic grace note, but not, oddly, one single shot of the Statue of Liberty.
Painted onscreen in a hypnotic mix of hypercharged naturalism and magic realism, Golden Door is not about the destination but the journey.
Writer/director Emanuel Crialese gives his atmospheric film a look of daguerreotype authenticity.
There's a big difference between slowly unfurling a difficult story so that it rewards a patient audience, and simply teasing viewers nearly to the point of torture. The Golden Door [skirts] dangerously close to the torturous.
I've got to be honest here. In the interest of full disclosure, I must confess that I was not entirely awake all the way through.
Darkly painted, but loaded with humour and ultimately sweetly optimistic.
Unfolding like a gorgeous coffee-table book of photographs, Emanuele Crialese's film Golden Door is as lovely to look at as it is dramatically inert.
The folkloric tone that seemed so pretentious in [Respiro] is powerfully effective here.
A STRIKINGLY shot tale of Sicilian villagers seeking a better life in America, Golden Door is so minimalist, it's practically a silent film.
A three-paneled piece, where the strength lies in the detail work rather than the larger brushstrokes.
A movie about immigration that even Lou Dobbs can get behind. It's so hypnotically breathtaking, you don't realize you're not breathing. By the final shot, you don't realize you're crying either, but there go the tears.
There's an old Zen saying, 'It's the journey, not the destination.' The Golden Door offers an extraordinary journey of its own.
It remains an extraordinarily strong, fascinating look at the genesis of the traditional immigrant tale, not the idealized finale.
Italian director Emanuele Crialese has infused the age-old plot with dazzling visual style, dollops of magical realism and profound emotional truth that infuse what we think we know with new verve and resonance.
Latest News for Golden Door
June 14, 2007:
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June 12, 2007:
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May 24, 2007:
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May 19, 2007:
Rarely has a film penetrated beneath the usual stereotypes to the private fears and conflicted dreams of immigrants of whatever time. ![]()
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