The Good Shepherd is a rich, sprawling film stuffed with fine performances and capable of expanding to take in vast chunks of history or narrowing to concentrate on delicate human moments.
The Good Shepherd (2006)
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Reviews Counted:161
Fresh:90
Rotten:71
Average Rating:6.1/10
Consensus: This fictitious CIA origin film is an overlong, tedious effort that leaves viewers with more questions than answers.
Rated: 15 [See Full Rating] for some violence, sexuality and language
Runtime: 2 hrs 48 mins
Genre: Dramas
Theatrical Release:23-02-2007
Synopsis: With THE GOOD SHEPHERD, Robert De Niro (A BRONX TALE) makes an ambitious return to the director's chair. A labor of love for Oscar-winning screenwriter Eric Roth (FORREST GUMP), the film tells an... With THE GOOD SHEPHERD, Robert De Niro (A BRONX TALE) makes an ambitious return to the director's chair. A labor of love for Oscar-winning screenwriter Eric Roth (FORREST GUMP), the film tells an epic, fictionalized account of how the Central Intelligence Agency was born. Matt Damon plays Edward Wilson, a reserved young man who graduated from Yale in the late 1930s. His membership in the exclusive, hidden Skull and Bones society led him away from poetry and into a relationship with the federal government, who recruited him to help them on several covert operations. Roth's script alternates between Wilson's gradual emergence as a genuine government operative in the early 1940s and the infamous Bay of Pigs conflict in the early 1960s. Along the way, he has a sweet romance with a pretty deaf girl (a sparkling Tammy Blanchard) and ends up marrying the woman he impregnates (Angelina Jolie) out of a strong sense of duty. Throughout the film, the emergence of a mysterious tape haunts Wilson, who is determined to uncover the truth behind a leak in his secret organization. Production designer Jeannine Claudia Oppewall (L.A. CONFIDENTIAL, CATCH ME IF YOU CAN) and costume designer Ann Roth (THE ENGLISH PATIENT, THE TALENTED MR. RIPLEY) faithfully recreate these earlier periods in American history, while the imagery of Oscar-winning cinematographer Robert Richardson (J.F.K., THE AVIATOR) casts a warm, stately glow upon De Niro's assembled cast of luminaries (including Alec Baldwin, Michael Gambon, William Hurt, Billy Crudup, and Joe Pesci). The result is a production that recalls Francis Ford Coppola's THE CONVERSATION and Steven Spielberg's MUNICH. [More]
Starring: Matt Damon, Angelina Jolie, Joe Pesci, John Turturro
Starring: Matt Damon, Angelina Jolie, Joe Pesci, John Turturro, Keir Dullea, Alec Baldwin, Michael Gambon, Billy Crudup, William Hurt, Liya Kebede, Gabriel Macht, Jason Patric, Eddie Redmayne, Sándor Técsy
Director: Robert De Niro
Director: Robert De Niro
Producer: Jane Rosenthal
Studio: Universal Pictures
Reviews for The Good Shepherd
It's a rich concept -- The Godfather, Part II set in Langley, Va. -- and it might have been a classic if someone like Francis Ford Coppola had come out of semi-retirement to direct it.
Sad to say, but Robert De Niro's The Good Shepherd, an ambitious and starry but lamentably interminable attempt to trace the beginnings of the Central Intelligence Agency, may well have you counting sheep.
If the lives of CIA spies are really this dreary, they may as well keep their secrets to themselves.
The Good Shepherd, for all its noble intentions, manages to make even espionage boring.
The Good Shepherd is the film Francis Ford Coppola should have directed instead of The Godfather Part III.
An intricate, deliberately paced 2-hour and 37-minute work that not only quietly presents this quicksand world but also makes us feel what it would be like to live in it.
Damon once again demonstrates his flair for creating inscrutably devious characters.
If you’re looking for action, The Good Shepherd will be a letdown. But as a deep meditation on the nature of espionage, it’s a minor classic.
The Good Shepherd is a painstakingly composed film, as planned and programmed and puzzled over as tactical maneuvers on a chessboard.
The Good Shepherd is a flat draft of history that looks at the Central Intelligence Agency's early years through the horn-rimmed gaze of a fictional spook.
It's surprising that this three-hour tour of thirty-some years of history moves as well as it does.
Painfully overlong, weighed down by its own self-conscious seriousness and filled with nonsurprises, The Good Shepherd will appeal only to those who like dreary tales filled with unlikable characters.
The Good Shepherd is a quietly sweeping, intensely intelligent and nail-biting history of the Central Intelligence Agency.
While De Niro's direction is certainly stylish, the frosty performances are off-putting.
Moving from 1939 to 1961, an incident-heavy script finds enough material to keep several movies percolating, yet it seldom reaches a boil.
DeNiro's CIA tale shows some good film-making but simply too much of it.
Robert De Niro sat at the feet of Francis Ford Coppola and Martin Scorsese, and learned his lessons well.
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