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Movies / On DVD / A Good Year
A Good Year

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A Good Year (2006)

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Reviews Counted:123

Fresh:31

Rotten:92

Average Rating:4.8/10

Consensus: A Good Year is a fine example of a top-notch director and actor out of their elements, in a sappy romantic comedy lacking in charm and humor.

Rated: 12A [See Full Rating] for language and some sexual content

Runtime: 1 hr 58 mins

Genre: Dramas

Theatrical Release:27-10-2006

Synopsis: Oscar®-winner Russell Crowe reunites with "Gladiator" director Ridley Scott in A GOOD YEAR, a Fox 2000 Pictures presentation of a Scott Free production. London-based investment expert Max Skinner... Oscar®-winner Russell Crowe reunites with "Gladiator" director Ridley Scott in A GOOD YEAR, a Fox 2000 Pictures presentation of a Scott Free production. London-based investment expert Max Skinner (Crowe) moves to Provence to sell a small vineyard he has inherited from his late uncle. Max reluctantly settles into what ultimately becomes an intoxicating new chapter in his life, as he comes to realize that life is meant to be savored. A GOOD YEAR is based on the best-selling novel of the same name by Peter Mayle. (Mayle and Ridley Scott, who are longtime friends, together came up with the idea for the novel.) Scott produces from a screenplay by Marc Klein. The film also stars the esteemed Albert Finney as Max's late Uncle Henry, who imparts wisdom to his young nephew; Marion Cotillard ("A Very Long Engagement") as a café owner who catches Max's eye; Abbie Cornish ("Sommersault") as Max's supposed long-lost cousin, who may hold the vineyard's title rights; Tom Hollander ("Pirates of the Caribbean: Dead Man's Chest") as his best friend; and Freddie Highmore ("Finding Neverland") as the young Max. Confident and cocky, headstrong and handsome, Max Skinner is a successful London banker who specializes in trading bonds. A financial barracuda on the banks of the Thames, Max devours the competition in his efforts to conquer the European market. His latest conquest has netted a tidy seven-figure profit, much to the chagrin of his Saville Row-draped rivals. Max's triumph is in perfect keeping with his philosophy: winning isn't everything, it's the only thing! Soon thereafter, Max receives word from France alerting him to sad news: his elderly Uncle Henry has passed away. Max, Henry's closest blood relative, is the sole beneficiary of his estate, which includes a Provençal chateau and vineyard, La Siroque, where Henry cultivated grapes for over thirty years. Max travels to the chateau where he spent his boyhood summers vacationing with his eccentric uncle, whom he hasn't seen or written to in years. While Max tends to the legal affairs of his inheritance, he is suspended from his firm, pending an investigation into his questionable bond transaction. With his future in London in flux, Max reluctantly begins settling into life at the chateau. He reunites with the chateau's longtime vigneron, Francis Duflot (still tending the vines after three decades), whom Max remembers from his boyhood visits. Duflot's exuberant wife, Ludivine, the estate's housekeeper, warmly welcomes Max back. Max is uncertain as to whether life in the South of France suits him. He rings up his best friend, London realtor Charlie Willis, to inquire as to what a small chateau and winery like La Siroque would command on the current market. Charlie advises Max that small wineries with a good product can bring several million dollars, as boutique wine, made in small batches, is the rage in wine shops. It's money in the bank for Max should he lose his job. As Max fondly embraces the memories of summers past (spent with a man whose wisdom and philosophy helped Max chart his successful career) while contemplating a cloudy future, a complication arises with the sudden arrival of a determined, twentysomething California girl, Christie Roberts. Christie, a Napa Valley native, claims to be the illegitimate daughter of the deceased uncle. The revelation, if true, makes her Max's cousin and, according to French law, the beneficiary of La Siroque. Suspecting Christie may be a fraud, Max questions her about her past while bickering with her over the fate of the vineyard, whose plonk (as the French define bad wine) rivals the worst vinegar imaginable. Max, who has tasted La Siroque's awful vin de pays, also finds some other bottles in Uncle Henry's cellar bearing the name Le Coin Perdu (‘the lost corner'). This mysterious, legendary vin de garage has fetched thousands per bottle on the black market for years, according to the fetching local cafe owner, Fanny Chenal, with whom Max has become smitten. Where does the wine come from, and why is Duflot so insistent on staying at La Siroque whatever the vineyard's fate? And, what about some unusual vines discovered on the property by Christie, which the crusty vintner claims are experimental in nature, and a renowned oenologue has deemed unworthy? Max's memories and the passage of time bring forth emotions and feelings he thought were long lost, and afford him a new appreciation of his late Uncle Henry's philosophy on life – and on life in Provence: "There's nowhere else in the world where one can keep busy doing so little, yet enjoy it so much!" --© 20th Century Fox [More]

Starring: Russell Crowe, Marion Cotillard, Albert Finney, Freddie Highmore

Starring: Russell Crowe, Marion Cotillard, Albert Finney, Freddie Highmore, Archie Panjabi, Richard Coyle, Tom Hollander, Giannina Facio, Abbie Cornish

Director: Ridley Scott

Director: Ridley Scott
Screenwriter: Marc Klein
Story: Peter Mayle
Studio: Fox 2000 Pictures

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Reviews for A Good Year

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61 - 80 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

The comedy A Good Year provides a good excuse for insisting that actors and directors are better off playing to their strong suits.

Full Review Source: Denver Rocky Mountain News | comment Comment
11/10/06
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News

Full of pretentious grape-droppings on how wine is like life, only tastier and with a bolder finish, A Good Year is at best elusive to the palate. At worst, it's a bad pressing of a vintage that has no reisling to exist.

Full Review Source: Denver Post | comment Comment
11/10/06
Michael Booth
Michael Booth
Denver Post

A Good Year is the story of a jerk in an expensive suit who inherits a French chateau and, after a few transformative weeks under the Provençal sun, becomes a jerk in a ratty bathrobe.

Full Review Source: Contra Costa Times | comment Comment
11/10/06
Mary F. Pols
Mary F. Pols
Contra Costa Times

A pleasant jaunt through one of the most beautiful places on the planet -- encased in a story that ends up making you feel that all is right with the world.

Full Review Source: Chicago Sun-Times | comment Comment
11/10/06
Bill Zwecker
Bill Zwecker
Chicago Sun-Times
Top Critic Icon Top Critic

A shamelessly enjoyable retread, an ode to la belle vie that has been well turned on a factory spindle.

Full Review Source: Boston Globe | comment Comment
11/10/06
Ty Burr
Ty Burr
Boston Globe

A Good Year feels as if it takes a year to watch, and not a very good year at that.

Full Review Source: Arizona Republic | comment Comment
11/10/06
Bill Muller
Bill Muller
Arizona Republic

It's an amiable picture, and witty in parts; but it never goes anywhere you don't expect it to, and after a while you may start to lose enthusiasm for going along with it.

Full Review Source: MTV | comment Comment
11/10/06
Kurt Loder
Kurt Loder
MTV

Is it good for those Gladiator dudes Ridley Scott and Russell Crowe to team up again for a romantic comedy about winemaking in the South of France? Perhaps not, but it's a nice try.

Full Review Source: Hollywood.com | comment Comment
11/10/06
Kit Bowen
Kit Bowen
Hollywood.com

an aggressively mellow comedy that shows off the bucolic beauty of Provence, extolls the virtues of country living and then bellows 'Relax -- right now!' at the viewer.

Full Review Source: Kalamazoo Gazette | comment Comment
11/10/06
James Sanford
James Sanford
Kalamazoo Gazette

Pays homage to classic European cinema without being overly pretentious or particularly deep.

Full Review Source: ComingSoon.net | comment Comment
11/10/06
Edward Douglas
Edward Douglas
ComingSoon.net

Scott tries to pump up this slender tale into something more meaningful: His tactic of choice is to bully us into always feeling something, which leads to an astonishing amount of clumsy comedy and overreaching sentiment.

Full Review Source: Creative Loafing | comment Comment
11/10/06
Matt Brunson
Matt Brunson
Creative Loafing

The humor is fast and witty - P.G. Wodehouse on rocket fuel.

Full Review Source: Northwest Herald (Crystal Lake, IL) | comment Comment
11/10/06
Jeffrey Westhoff
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)

It's harmless. If by harmless you mean zombifying and cynical.

Full Review Source: Arkansas Democrat-Gazette | comment Comment
11/10/06
Philip Martin
Philip Martin
Arkansas Democrat-Gazette

Magically transports us to the sensuous setting of southern France where memory, love, and a grand fondness for place conspire to alter the life of a selfish London trader

Full Review Source: Spirituality and Practice | comment Comment
11/10/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Slick and sweet but superficial and only occasionally intoxicating.

Full Review Source: www.susangranger.com | comment Comment
11/10/06
Susan Granger
Susan Granger
www.susangranger.com

...an airy, pleasant diversion for those who like light entertainment, solidly constructed. Like a good table wine, it goes down easy.

Full Review Source: Worcester Telegram & Gazette | comment Comment
11/10/06
Daniel M. Kimmel
Daniel M. Kimmel
Worcester Telegram & Gazette

It doesn't matter that the storyline of Ridley Scott's A Good Year is different from that of its inspiration - Peter Mayle's book, A Year in Provence. But it does matter that the tone is flippant and that we don't fall in love with the central character

Full Review Source: Urban Cinefile | comment Comment
11/10/06
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

Like spending two hours with someone who is tiresome but who thinks you should find him exceedingly charming.

Full Review Source: EricDSnider.com | comment Comment
11/10/06
Eric D. Snider
Eric D. Snider
EricDSnider.com

... a film with all the subtlety and bouquet of a screw-top bottle of wine purchased in the bargain bin of your local supermarket.

Full Review Source: Cinematical | comment Comment
11/09/06
Kim Voynar
Kim Voynar
Cinematical

As much respect I have for Crowe as a dramatic actor, the painful truth is, comedy just isn't his forte.

Full Review Source: FilmJerk.com | comment Comment
11/09/06
Brian Orndorf
Brian Orndorf
FilmJerk.com
 
 
61 - 80 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 >> >|
all

Latest News for A Good Year

September 06, 2007: Box Office Guru Preview: Crowe vs. Bale in Box Office Shootout
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May 01, 2007: Ridley Scott Will Direct "Nottingham"
Celebrated director Ridley Scott will reunite with actor Russell Crowe for the fourth time on the revisionist take on "Robin Hood" called "Nottingham." (Can... More...

November 12, 2006: Box Office Wrapup: Sexytime for "Borat" Once Again!
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