This is, most subtly, Grace Is Gone's abiding theme, the ways that overwhelming loss bring into focus what remains, as well as the cultural frameworks by which moral judgments are made.
Grace is Gone (2007)
Tomatometer
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Reviews Counted:69
Fresh:42
Rotten:27
Average Rating:5.9/10
Consensus: A refreshing departure from the current crop of Iraq war dramas, Grace is Gone is a heartfelt, finely acted portrayal of grief and healing.
Runtime: 1 hr 32 mins
Genre: Dramas
Synopsis: Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James... Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a husband and father who waits while his wife Grace is off serving in Iraq. When he learns of her death, he can't bear to tell his two daughters the news. To postpone the inevitable, the normally staid father proposes a spontaneous road trip to his girls, and the three set off for the fun of an amusement park called Enchanted Gardens. GRACE IS GONE picked up a pair of awards at Sundance: the Audience Award and Best Screenplay. It's a deeply affecting drama that never resorts to manipulation in achieving its aims. Instead, it relies on the strong script from Strouse, as well as a trio of fantastic performances. As Stanley and Grace's young daughters, Gracie Bednarczyk and Shélan O'Keefe make memorable film debuts. Their relationships with both each other and their cinematic father feel completely genuine. As for Cusack, he trades in the swagger of Lloyd Dobler and Rob Gordon for Stanley Phillips's shuffle. The role is a complete departure for the veteran actor, and the change is a welcome one that should win him both critical praise and awards. The film's tone is sweet and sad, though never overwhelmingly so, and it's helped by excellent cinematography from Jean-Louis Bompoint and a quietly moving score from Clint Eastwood. [More]
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe, Mary Kay Place
Director: James C. Strouse
Director: James C. Strouse
Screenwriter: James C. Strouse
Producer: John Cusack, Grace Loh, Galt Niederhoffer, Celine Rattray, Daniela Taplin Lundberg
Composer: Clint Eastwood
Studio: Weinstein Company
Reviews for Grace is Gone
For all its good intentions and solid acting, it ends up more maudlin than penetrating.
[No]matter how much you love [Cusack's] usual snarky schtick, it's wonderful to see him stretch as an artist...
Cusack's climactic confession is heartrending. But too many other moments strain credibility.
Not a great movie, simply functional, but Cusack gives a great performance.
'Grace is Gone' works best in the quiet moments. ... Shelan O'Keefe couldn't be better ... this low-keyed weepie belongs to her.
There have many films in the last year or so that have dealt with the war in Iraq, but I can't recall one that infuriated me as much as this smugly insufferable soap opera that uses the conflict as an excuse to offer up 90 minutes of muddled mawkishness
It avoids all deeper issues inherent to its subject matter, choosing instead to simply be a slice of depressing life that you won't want to take.
A curious case of a sort of “grief peep show,” an episodic drama with a lot hidden in its middle.
John Cusack takes it down several notches in James C. Strouse's somber, well-acted family mourning tale.
...never once feels authentic, its every move calculated...a movie that uses a road trip to express a family's grief is suspect at best.
Strouse forgoes an explicit critique of the Iraq War in favor of a more universal portrait of grief and acceptance.
A barbell of a movie that carries some weight at either end. What's in between is purely utilitarian, though.
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