This is a movie that lobs even appropriate criticisms from a safe distance, a flaw its strengths can't overcome.
Grace is Gone (2007)
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Reviews Counted:69
Fresh:42
Rotten:27
Average Rating:5.9/10
Consensus: A refreshing departure from the current crop of Iraq war dramas, Grace is Gone is a heartfelt, finely acted portrayal of grief and healing.
Runtime: 1 hr 32 mins
Genre: Dramas
Synopsis: Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James... Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a husband and father who waits while his wife Grace is off serving in Iraq. When he learns of her death, he can't bear to tell his two daughters the news. To postpone the inevitable, the normally staid father proposes a spontaneous road trip to his girls, and the three set off for the fun of an amusement park called Enchanted Gardens. GRACE IS GONE picked up a pair of awards at Sundance: the Audience Award and Best Screenplay. It's a deeply affecting drama that never resorts to manipulation in achieving its aims. Instead, it relies on the strong script from Strouse, as well as a trio of fantastic performances. As Stanley and Grace's young daughters, Gracie Bednarczyk and Shélan O'Keefe make memorable film debuts. Their relationships with both each other and their cinematic father feel completely genuine. As for Cusack, he trades in the swagger of Lloyd Dobler and Rob Gordon for Stanley Phillips's shuffle. The role is a complete departure for the veteran actor, and the change is a welcome one that should win him both critical praise and awards. The film's tone is sweet and sad, though never overwhelmingly so, and it's helped by excellent cinematography from Jean-Louis Bompoint and a quietly moving score from Clint Eastwood. [More]
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe
Starring: John Cusack, Alessandro Nivola, Gracie Bednarczyk, Shélan O'Keefe, Mary Kay Place
Director: James C. Strouse
Director: James C. Strouse
Screenwriter: James C. Strouse
Producer: John Cusack, Grace Loh, Galt Niederhoffer, Celine Rattray, Daniela Taplin Lundberg
Composer: Clint Eastwood
Studio: Weinstein Company
Reviews for Grace is Gone
It can't be denied that writer James C. Strouse's directing debut is uniquely of our time as home-front films go, and he exploits that new wrinkle for all it's worth.
In a year that has seen wave after wave of films addressing the war in Iraq with varying degrees of anger and frustration, Grace serves as a gently thoughtful coda and reminder of what continues.
A syrupy-sweet, cloying score by Clint Eastwood overwhelms the otherwise elegant simplicity of Strouse's storytelling.
Cusack deserves high praise for his terrific work as an emotionally cold man suddenly devastated by grief, but this effort is expended on a vehicle that has little going for it in the first place.
Incredibly John Cusack has never been nominated for an Academy Award but this movie may change that. He's simply terrific in a fine and moving film.
delivers a certain kind of Midwestern pathos that's understated almost to the point of invisibility
A moving and tender family drama, built on the foundation of a serious contemporary issue.
For most of its 85 minutes Grace Is Gone, a small, tender film about contemporary parenthood in wartime, carries off a delicate balancing act.
Grace Is Gone attempts to address grief frankly, gently, and without didacticism, and it largely succeeds.
It comes as a pleasant relief then to discover that the movie has its heart and soul in the right place.
Cusack has never been better; he disappears into his character's repressed skin so utterly, we can barely recognize in him the perky teen heartthrob of Say Anything.
Rather than challenging our national aversion to unhappy endings, both in life and in cinema, [director] Strouse plays right into it. He's devised Grace Is Gone to work on our sentiments the way a porn movie works on our libidos.
Sure, it’s a tearjerker with more than a few mushy moments of unhindered grief, but they match the situation. So does Cusack.
It's stirring, even gut-wrenching, on the strength of John Cusack's terrifically restrained performance as a husband in denial over the death of his wife in Iraq.
If Martian Child is the price film goers must pay in order to get Grace Is Gone, then it's a worthwhile trade.
Grace Is Gone grabs on to a name, a war, and the metaphor-come-to-life of a theme park with rides going nowhere. And we, the people, are spun around and shaken for tears.
Its saving grace is also its downfall: there is no sappy sentiment, but no emotional pull, either.
A tender and touching movie about a father who learns how to nurture his daughters while in the midst of grief.
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