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Gray's Anatomy (1996)
Tomatometer
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Reviews Counted:17
Fresh:10
Rotten:7
Average Rating:6.2/10
Runtime: 80 mins
Genre: Comedies
Synopsis: Acclaimed director Steven Soderbergh films Spalding Gray's monologue--originally written for the stage--with an energy that makes for an intriguing cinematic viewing experience. Opening with a... Acclaimed director Steven Soderbergh films Spalding Gray's monologue--originally written for the stage--with an energy that makes for an intriguing cinematic viewing experience. Opening with a succession of black-and-white interviews that details horrific incidents dealing with human eyeballs, Gray's topic of discussion becomes readily apparent. Eventually, Gray admits that he himself experienced a near-traumatic episode when one of his eyes became blurry and unfocused. Terrified at the thought of surgery--which would have involved scraping his eyeball--Gray decided to search for another way to rid himself of his unfortunate condition. In a series of hysterical tales, Gray describes his attempts to find a nonsurgical cure for his affliction. These include calling a Christian Science hot line, flying to the Philippines to meet with a psychic surgeon, and traveling to Minnesota to partake in a Native American ceremony that aims to sweat the problem out of him. When Gray realizes that these approaches aren't working, he must finally decide whether to place himself under the knife and risk losing his eye. As usual, Soderbergh's keen vision adds a spark to the proceedings. His roaming camera emphasizes the dialogue in a way that the stage could never do, allowing Gray to do his thing and keep the laughs rolling. [More]
Starring: Spalding Gray
Starring: Spalding Gray
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Spalding Gray
Story: Spalding Gray, Renee Shafransky
Composer: Cliff Martinez
Producer: Jonathan Sehring, Caroline Kaplan, Kathleen Russo, John Hardy
Reviews for Gray's Anatomy
The movie version of Gray's material seems arch, contrived and starchy, not the spontaneous eruption that his theater work manages to resemble.
There's something intrinsically insincere about the whole quest. Gray is on a search less for a cure than for material.
At best, Gray is a tragicomic Everyman who strikes an empathic chord in his admiring audience; at worst, he's a middle-aged, self-absorbed, hopelessly provincial New Yorker -- an urban hick who won't shut up.
Soderbergh is a gifted director (SEX, LIES AND VIDEOTAPE; KING OF THE HILL); Gray is a gifted monologist (SWIMMING TO CAMBODIA). They're just not a very good match for the creation of a film.
If you cannot see Spalding Gray live, then do see his monologue films. Gray's Anatomy can be infuriating, but Spalding makes it worthwhile.
Using every cinematic trick in the book, [director] Soderbergh turns Gray's one-man world into the most surreal mind-expander since Alice fell down the rabbit hole.
In spite of Soderbergh and the painful lack of an audience/laugh track, Gray's story is immediately compelling, proving that once again, a talking head can truly entertain an audience.
The late Spalding Gray's monologue is typically fascinating, and Soderbergh's creative staging is a treat.
Gray’s Anatomy finds Spalding Gray turning a bout with a bizarre ocular condition into a dizzying, absorbing odyssey of the neurotic mind.
A chatty, colorful, nicely sardonic account of how a crisis led Mr. Gray to assess his medical state, consider his mortality and take one more funny, self-dramatizing look at the eccentric world around him.
The film manages to come off like a dinnertime conversation with a friend -- albeit a one-sided and long but very good and very funny one.
Not only is it interesting to follow the course of Gray's storyline, the movie is also equally interesting to view, even if the storyteller is just sitting in front of a desk most of the time.
Gray's Anatomy is a triumphant reminder of the power of words to summon our deepest fears.
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