The fresh-faced cast of newcomers and edgy, restless camerawork make up for the script's inherent predictability.
Groove (2000)
Tomatometer
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Reviews Counted:50
Fresh:28
Rotten:22
Average Rating:6.1/10
Consensus: Though high on energy and great techno tunes, Groove's characters and plotlines are too cliched to be engaging.
Runtime: 86 mins
Genre: Dramas
Synopsis: San Francisco's rave scene is exposed in this exciting independent drama from writer-director Greg Harrison. Colin Turner invites his brother David, a struggling writer, to a party named GROOVE,... San Francisco's rave scene is exposed in this exciting independent drama from writer-director Greg Harrison. Colin Turner invites his brother David, a struggling writer, to a party named GROOVE, sending both brothers on an adventure they will never forget. After Colin shockingly proposes to his girlfriend and everyone's ecstasy begins to kick in, new relationships are formed while old ones are challenged. The resulting encounters teach everyone involved a valuable lesson about their place in the world. [More]
Starring: Lola Glaudini, Hamish Linklater, Denny Kirkwood, Mackenzie Firgens
Starring: Lola Glaudini, Hamish Linklater, Denny Kirkwood, Mackenzie Firgens, Rachel True, Steve Van Wormer, Nick Offerman, Karl Ackerman, Lew Baldwin, Bing Ching
Director: Greg Harrison
Director: Greg Harrison
Screenwriter: Greg Harrison
Producer: Danielle Renfrew, Greg Harrison
Reviews for Groove
The words don't mean much, but it has got a good beat and you can dance to it.
In the process of enlightening the masses on the hipster party scene, Mr. Harrison forgot to make an interesting movie.
Pleasantly modest, endearingly etched and briskly set to a pounding beat.
Achieves its high by tapping into the real thing -- the wonder of making movies.
Most of the performances are stiff, and the awkward dialogue is made even worse by the way in which it is delivered.
What Groove lacks in personality it makes up for in breathless, cafeinated, fervid presentation.
There's such a sunny air about this subterranean party story that it's difficult not to like.
Harrison has such a wry, benign view of his subjects, and such an obvious appreciation of rave culture, that the film goes down effortlessly.
Harrison understands his material, creating a slice of life that pulses like one of John Digweed's mixes.
Harrison's eye for detail paints a fairly vivid slice-of-life picture.
Like drug movies from the 1960s, it's naive, believing that the problems of the straight life can be solved by dropping out and tuning in.
A little bland, but it puts you in the mood to forgive it: relaxed and mellow and accepting.
What's infectious about Groove is the friendly, almost innocent way that its brat pack of digital-age bohemians seek liberation in a world where there is nothing left to rebel against.
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