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Gunner Palace (2005)
Tomatometer
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Reviews Counted:101
Fresh:86
Rotten:15
Average Rating:7/10
Consensus: A shapeless documentary, but shows what's it like for the soldiers on the ground.
Runtime: 85 mins
Genre: Education/General Interest
Synopsis: In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son... In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son of Saddam Hussein, offer the camera a view on their world. While they party poolside for most of the day and lead raids on homes of suspected bomb-builders most nights, they also have a lot to say about the war and their situation. Rapping to each other or to the camera, they use rhyme to speak their minds about various aspects of the war, their day-to-day duties, and life in Iraq. Their youth and immaturity is striking, as is the war itself and the nebulous reasons that they are stationed there. While the primary purpose of GUNNER PALACE is to give the perspective of the soldiers, secondarily viewers get a glimpse of Iraqi civilians and how they react to the US military presence--some are terrified, others are skeptical, still others are compliant and grateful if not totally sure why. However, giving voice to the soldiers remains the film's major theme, and for this reason, filmmakers Michael Tucker and Petra Epperlein appealed the original R-rating given to the film by the MPAA, and won. With a PG-13 rating, filmmakers explained, teenagers considering military careers can watch the film and benefit from seeing soldiers in combat and hearing them talk about what it's like. [More]
Director: Mike Tucker
Director: Mike Tucker
Producer: Petra Epperlein
Studio: Palm Pictures
Reviews for Gunner Palace
Tucker has an eye for arresting imagery, but not the maturity or finesse to illuminate it.
You certainly can't question Tucker's bravery, but you may occasionally feel the urge to ask him to be quiet.
The documentary succeeds [on some levels], but it seems to miss the boat with the narration and the way the movie is edited together.
The motive may be worthy, but chaos of events mirrored by chaos of technique does not make for a film.
Practically agenda-free, but a slice-of-life like this loses steam after about 45 minutes. At least a strident political viewpoint gives you something to talk about.
The directors of this documentary about our troops in Baghdad tell us more about their own views than the soldiers' ...
First-time documentary makers (Michael) Tucker and ... Petra Epperlein ... get a little bogged down in letting soldiers express their feelings through amateur rap.
The film, though sympathetic to the soldiers, is really an homage to the very worst in American culture.
Although this embedded view is revealing, watching the unformed footage becomes tedious.
Esta versão estendida (e entediante) de COPS se preocupa tanto em mostrar os soldados chocados por serem odiados que se esquece de comentar que eles nem deveriam estar ali.
Too much of the film feels like a slavish imitation of the fictional Apocalypse Now, with Michael Tucker's narration sounding like a parody of Martin Sheen's raspy weariness.
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