There are some pretty sadistic torture scenes for the gore hounds -- but ultimately this pointless prequel is about as thrilling as a wet towel.
Hannibal Rising (2007)
Rated: 18 [See Full Rating] for strong grisly violent content and some language/sexual references
Runtime: 2 hrs
Theatrical Release: 09-02-2007
Synopsis: Peter Webber (GIRL WITH A PEARL EARRING) directs the latest installment about the monstrous cannibal Hannibal Lecter, revealing the facts of his childhood and the birth of his troubled mind. When he is a young boy in Lithuania, Hannibal and his privileged family flee their castle as both the... Peter Webber (GIRL WITH A PEARL EARRING) directs the latest installment about the monstrous cannibal Hannibal Lecter, revealing the facts of his childhood and the birth of his troubled mind. When he is a young boy in Lithuania, Hannibal and his privileged family flee their castle as both the Nazi and Russian troops advance, going into hiding in a nearby humble cottage. But the war quickly finds them, and Hannibal witnesses horrible atrocities against his family, particularly from a local independent force of brutes led by the creepy Grutas (Rhys Ifans). Years after the war, teenage Hannibal (Gaspard Ulliel) leaves Lithuania and travels to France, where his uncle's wife, Lady Murasaki (Gong Li), takes him in and befriends him. A gifted medical student, Hannibal studies corpses and anatomy with extreme diligence, but dreams of tracking down and destroying those who harmed him and his family. Soon, he is acting on his impulses, hunting down the perpetrators from his youth and inflicting cruel punishment. Ulliel is chilling as the stone-faced Hannibal, clearly scarred by his tragic past and ever more determined to exact revenge. Li is luminous onscreen, and her mysterious character deserves more development. Ifans, perhaps best known for his turn as the goofy roommate in NOTTING HILL, is a menacing bully with a heart of stone. Dominic West appears as Inspector Popil, a French detective specializing in war crimes who suffered his own losses during the war, making him sympathetic towards Hannibal even though he is convinced of his guilt. Thomas Harris, the author of the Hannibal series that also includes THE SILENCE OF THE LAMBS, RED DRAGON, and HANNIBAL, serves as screenwriter for the first time in the Hannibal films. [More]
Genre: Horror/Suspense
Starring: Gaspard Ulliel, Rhys Ifans, Gong Li, Richard Brake, Kevin McKidd
Screenwriter: Thomas Harris
Producer: Tarak Ben Ammar, Dino De Laurentiis, Martha De Laurentiis
Composer: Shigeru Umebayashi
Reviews
This murky thriller is more of a pig's ear than a pearl earring. The actors, mostly British, speak with sinister furrin accents.
Having seen both Anthony Hopkins and Brian Cox as Lecter, poor Ulliel is on a hiding to nothing.
More resembling a gory TV movie than a real film, this will give you nightmares for all the wrong reasons.
This mechanical cash-in fails to explain how the young Hannibal Lecter became the monster we know.
How much more interesting - and scary - to have given Hannibal a perfectly happy boyhood with not the smallest occasion for anger or violence.
The more Harris has milked his creation, the more ludicrous Hannibal has become, the mystique of inexplicable monstrousness diminished with each appearance.
Akin to exhuming a once good-looking corpse; wholly unnecessary - and a bit of a mess.
This is watchable enough as a grisly revenge thriller but it would have worked better without the Lecter connection.
You can’t help thinking Anthony Hopkins would eat this kid for breakfast.
Lecter is all relish, which is fine for a side dish but unsatisfying in a main.
Un intento forzado por seguir explotando el personaje de Hannibal Lecter, vistosamente filmado y producido pero sin otra excusa argumental que intentar explicar lo inexplicable.
o Webber mazi me ton aytokanibalisti Thomas Harris frontizoyn na makelepsoyn enan ap' toys pio eikonikoys haraktires tis mythologias toy tromoy toy aiona mas, kai na ton ypobibasoyn se enan akomi fonia mias opoiasdipote tyhaias slasher tainias, me proshim
The material knows it is a prequel, and acknowledges such with tactics that consist of taking viewers from beginning to end in the most straightforward way possible...
A ponderous, uninspired portrait of a serial-killer-in-the-making with Webber missing every opportunity to build suspense and deliver chills.
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