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Happy, Texas (1999)
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Reviews Counted:6
Fresh:6
Rotten:0
Average Rating:7.3/10
Consensus: A smart, light-hearted romantic comedy, Happy, Texas uses its well-written script and exceptional cast to prove there's still life left in the fish-out-of-water caper genre.
Runtime: 1 hr 38 mins
Genre: Comedies
Synopsis: Harry Sawyer (Northam) and Wayne Wayne Wayne Jr. (Zahn) are two escaped convicts who find themselves in Happy, Texas. When they are mistaken for a gay couple who are in town to host a local beauty... Harry Sawyer (Northam) and Wayne Wayne Wayne Jr. (Zahn) are two escaped convicts who find themselves in Happy, Texas. When they are mistaken for a gay couple who are in town to host a local beauty pageant, they use the opportunity to slip into character and avoid the authorities. Obviously, the bumbling, heterosexual criminals don't have a clue as to what they're doing, and when romance appears in the form of a distraught banker (Walker) and a tacky teacher (Douglas), their real personas threaten to emerge and blow their cover. Zahn's hysterical performance won him a Special Jury Award at the 1999 Sundance Film Festival. [More]
Starring: Steve Zahn, Jeremy Northam, William H. Macy, Ally Walker
Starring: Steve Zahn, Jeremy Northam, William H. Macy, Ally Walker, Illeana Douglas, M.C. Gainey, Ron Perlman, Paul Dooley, Tim Bagley, Michael Hitchcock, Mo Gaffney
Director: Mark Illsley
Director: Mark Illsley
Screenwriter: Mark Illsley, Phil Reeves, Ed Stone
Producer: Mark Illsley, Rick Montgomery, Ed Stone
Composer: Peter Harris
Reviews for Happy, Texas
Uneven in places but with a few choice hilarious moments, it is well worth the rental.
Steve Zahn shines in Illsley's feature debut, elevating this eccentric small-town comedy two notches above the level of writing. Using the fish out of water format, this Sundance premiere begins well but then declines rapidly.
Happy, Texas is a hoot, a hilarious comedy that's smart and caring, yet sexy and ingenious enough that it just might stir up some of that elusive Full Monty-style box-office appeal.
This is one of those comedies that doesn't pound us on the head with the obvious, but simply lets us share vast amusement.
Almost everybody in this not-so-funny comedy is giddy and cuddlesome with a gosh-oh-gee enthusiasm that is at first engaging but quickly becomes a sign of a desperation to be liked.
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