The three Twentyman brothers are so good at stealing stuff you wonder why they couldn't have swiped a better heist movie.
The Hard Word (2003)
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Reviews Counted:81
Fresh:32
Rotten:49
Average Rating:5.5/10
Consensus: This caper flick lacks the originality necessary to elevate it above other films of its genre.
Runtime: 1 hr 43 mins
Genre: Comedies
Synopsis:
Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of...
Three prisoners are about to be released on bail - DALE (GUY PEARCE), MAL (DAMIEN RICHARDSON) and SHANE (JOEL EDGERTON). Meet the Twentyman brothers. Hard experience and an unspoken bond of family have made them masters of their craft - armed robbery. It's a job and they do it because they're good at it. Their only rule is, no one gets hurt.
Keeping the wheels of crime turning is their long-time criminal lawyer, FRANK MALONE (ROBERT TAYLOR), who combines flashy arrogance with a complete disregard for the proper process of the law. Frank's network of contacts enables him to play the brothers and the system to perfection. But success has clearly gone to his head when he starts screwing Dale's wife, CAROL (RACHEL GRIFFITHS). Dazzled by her physical attractiveness, Frank has severely underestimated the brain underneath the blonde. Carol is one of life's greatest operators and she is determined to get what's hers.
The brothers are out on bail, only long enough to do one job before they are back behind bars because of a problem with the 'paperwork'. Of course Frank will get them out but there's a catch. They must do a really big job if it is to be their last. Dale's festering suspicion about Frank's motives, and a bout with food poisoning, create an impossible situation leading up to a multi-million dollar heist. The job is to take place in Melbourne. Frank has lined up some local criminals to work with them, to the displeasure of the brothers. Up against the wall and with no way out, the boys proceed with the ambitious robbery, despite some dark misgivings. When it all goes wrong, the brothers discover the full extent of Frank's treachery as they make a desperate escape from the surrounding havoc. Breaking free of Melbourne in a hijacked car, the brothers have plenty of time to think on the long road back to Sydney. Although they have the money, they know Frank will not be far behind. And he isn't. And neither is Carol.
Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson
Starring: Guy Pearce, Rachel Griffiths, Robert Taylor, Damien Richardson, Joel Edgerton
Director: Scott Roberts
Director: Scott Roberts
Screenwriter: Scott Roberts
Producer: Al Clark, Gareth Jones, Hilary Davis
Studio: Lions Gate Films
Reviews for The Hard Word
When it's finally time to lay down the cards, we discover Roberts was simply trying to get by on his wit and charm, and he didn't have enough of either.
Just when you think you've got it all figured out, there's another disorienting jolt.
This one's destined for a dusty spot on an Australian video-store shelf.
'Amiable' is an odd way to describe a crime drama that contains wall-spattering amounts of bloodshed, but it fits The Hard Word.
A Tarantino-esque mishmash of tough crime cliches spit out in Aussie accents.
Aside from the obviously Australian flavor to everything -- which can be entertaining at times -- there's no X factor to justify the whole exercise.
A wily, performance-driven heist-gone-wrong picture with shrewd underworld savvy reminiscent of Snatch without the smug self-awareness.
The Hard Word may not be the last word in underworld thrills, but, like eternal patsy Pearce, it possesses a certain wild-eyed affability.
Nothing new or earthshaking here, but The Hard Word is tense and compelling, with the added charm of a mischievous spirit.
It's way below Jackie Brown and even Trainspotting, though the cast has that Aussie Thing down.
The film has an appeal for lovers of the genre. Little else in this unpredictable thriller by first-time director Scott Roberts requires immediate attention.
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