It is most successful when it keeps to the tone of an insane fairystory set up at the beginning of the movie.
Harold and Maude (1971)
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Reviews Counted: 36
Fresh: 31
Rotten:5
Average Rating: 7.6/10
Runtime: 1 hr 31 mins
Genre: Comedies
Synopsis: In the days before home video, when access to anything but first-run Hollywood movies was limited to repertory houses and college film societies, Hal Ashby's HAROLD AND MAUDE achieved cult status and became a surprise hit. In a broad... In the days before home video, when access to anything but first-run Hollywood movies was limited to repertory houses and college film societies, Hal Ashby's HAROLD AND MAUDE achieved cult status and became a surprise hit. In a broad sense, the film is a simple love story about how opposites attract--only, this time around, he's 19 and she's 79. Harold, played with deadpan humor by Bud Cort (M*A*S*H), is under extreme pressure from his overbearing mother, Mrs. Chasen (Vivian Pickles, in a performance that is a sheer delight), to enter the dating world. Unfortunately, the shy and morose Harold would rather spend his time attending the funerals of complete strangers. It is at one of these where he meets Maude (Ruth Gordon), who has the spunk and energy of a teenager. Maude is convinced that Harold needs to come out of his shell and enjoy life, so she brings him into hers. The taboo relationship between Harold and Maude, created by screenwriter Colin Higgins, embodied the spirit of an experimental generation guided by the mantra "If it feels good, do it." The love affair between the film's two eccentrics remains one of Hollywood's most unexpected, but tender, romances. The soundtrack, with songs by Cat Stevens, provides an effective thematic bridge as Harold crosses from extended adolescence into manhood. [More]
Starring: Ruth Gordon, Bud Cort, Vivian Pickles, Cyril Cusack
Starring: Ruth Gordon, Bud Cort, Vivian Pickles, Cyril Cusack
Director: Hal Ashby
Director: Hal Ashby
Screenwriter: Colin Higgins
Composer: Cat Stevens
Producer: Charles B. Mulvehill, Colin Higgins
Reviews for Harold and Maude
A doggedly eccentric film which some will reject out of hand. Others will find it profundly moving and life affirming.
Simpleminded, but it's fairly inoffensive, at least until Ashby lingers over the concentration-camp serial number tattooed on Gordon's arm. Some things are beyond the reach of whimsy.
It's not quite a romance, not quite a buddy picture. It is, however, one of the '70s quirkiest comedies, and its bleak morbidity is uncommonly matched by its over-the-top hilarity.
[Bud Cort and Ruth Gordon] both are so aggressive, so creepy and off-putting.
The epitome of a film that you can't believe you're laughing at, but you are. A lot. It hurts. In a good way.
The visual style makes everyone look fresh from the Wax Museum, and all the movie lacks is a lot of day-old gardenias and lilies and roses in the lobby, filling the place with a cloying sweet smell. Nothing more to report today.
By turns funny, moving and outrageous – sometimes all at once – the film is Hal Ashby's masterpiece.
Certainly a little twisted, but with such a powerfully warm 70's sunflower heart, "Harold and Maude" endears. I think of it as the cinematic equivalent to "The Little Prince"
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