It's duly considered, absolutely serious, self-consciously modern and, unfortunately, fairly dull.
Heights (2005)
Tomatometer
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Reviews Counted:99
Fresh:64
Rotten:35
Average Rating:6.3/10
Consensus: Yet another movie about relationships in the Big Apple, Heights is never dull thanks to a competent cast.
Runtime: 1 hr 38 mins
Genre: Dramas
Synopsis: New York native Chris Terrio's debut feature film, HEIGHTS, is a whirlwind of outstanding acting, excellent locations, and a unique plot filled with twists and turns. Based on Amy Fox's play, the... New York native Chris Terrio's debut feature film, HEIGHTS, is a whirlwind of outstanding acting, excellent locations, and a unique plot filled with twists and turns. Based on Amy Fox's play, the film is set in the theater community of New York City, as diva Diana Lee (Glenn Close) prepares to portray Lady Macbeth on Broadway. She wants to cast Alec (Jesse Bradford) in a play she's directing, but a secret is preventing him from jumping at the chance to graduate from off-off-Broadway fringe roles. Meanwhile, Lee's daughter, Isabel (Elizabeth Banks), is getting ready to marry Jonathan (James Marsden), a young executive with a secret of his own. And Lee is unhappy that her husband (Phil Tabor) has chosen her understudy (Susan Malick) for his latest dalliance. All comes to a head as Peter (John Light), who has been hired by Vanity Fair to look into a famous photographer's sexual past, uncovers some surprising revelations. This gem of a film, taking place over just one day, features fine support by an eclectic group of stars, including Denis O'Hare, George Segal, Eric Bogosian, Isabella Rossellini, Rufus Wainwright, and Michael Murphy. But it is the radiant Close and the mesmerizing Banks who are the heart of Terrio's poignant, powerful drama. [More]
Starring: Glenn Close, Elizabeth Banks, James Marsden, Jesse Bradford
Starring: Glenn Close, Elizabeth Banks, James Marsden, Jesse Bradford, Thomas Lennon, Matt Davis, Isabella Rossellini, Susan Malick, Denis O'Hare, Rufus Wainwright, Eric Bogosian, George Segal, Michael Murphy, Andrew Howard
Director: Chris Terrio
Director: Chris Terrio
Screenwriter: Amy Fox, Chris Terrio
Producer: Richard Hawley, Ismail Merchant
Composer: Ben Butler, Martin Erskine
Studio: Sony Pictures Classics
Reviews for Heights
It's all as pretentious as the arty types it seeks to chastise for not living their lives honestly.
Glenn Close gets top billing, but Elizabeth Banks is the ascendant star in Heights...
'We don't know how to be people of passion,' [Glenn Close] exclaims to a collection of rapt acting students, early in the film. She might as well be admonishing the movie's cast.
You wish [Glenn] Close could have instilled this sense of passion in the rest of the cast, and brought Heights to the level of greatness it might have otherwise reached.
A refreshing, adult-themed departure from the summer's cartoons and alien frights.
Heights manages to make the lives of all these beautiful people seem quite tedious. Despite their accomplishments, the only thing they seem suited for is hailing cabs.
I must confess that there were long stretches in Heights when I felt that the proceedings were a tad too 'theatrical' for my taste.
...as stilted, symbolically loaded and dreary as any of Merchant-Ivory's E.M. Forster or Henry James adaptations -- this time without classic prose or great actors for backup.
There's nothing original about the assertion that relationships are difficult and often messy, but first-time director Chris Terrio illustrates it in an engaging manner and with a fine (and large) ensemble cast.
Heights is far from a perfect movie, but as a hint of Terrio's talent, it's an eminently watchable effort.
Heights is definitely worth a visit, even if it stops short of the loftiest peaks.
Fox and Terrio have made a quietly stunning debut here, mounting a fast, sad and often funny study of what 'carpe diem' really means.
The level of coincidence driving the narrative is as high as the Big Apple's tallest skyscrapers, but the cast is stong enough to help transcend the structural weaknesses.
This is one of those ensemble pieces where everybody is interesting (not like real life)... I didn't want this to end.
Terrio's depiction of the characters is so precise that even minor characters, such as a stranger on the subway or a worker at a theater, are full of life.
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