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Here Comes Mr. Jordan (1941)
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Reviews Counted:15
Fresh:15
Rotten:0
Average Rating:7.4/10
Runtime: 1 hr 34 mins
Genre: Comedies
Synopsis: A beguiling fantasy comedy that accompanies a restless spirit from Earth to Heaven and back again. Montgomery has a happy-go-lucky charm as professional boxer Joe Pendleton. When the fighter's... A beguiling fantasy comedy that accompanies a restless spirit from Earth to Heaven and back again. Montgomery has a happy-go-lucky charm as professional boxer Joe Pendleton. When the fighter's plane crashes after a bout, his spirit is removed--too early-- from his body by the inexperienced heavenly messenger (Horton, in one of his best roles). A new body must be found. First, Joe occupies the body of a millionaire about to be murdered in his tub, and later a heavyweight boxer who runs afoul of the Mob. Throughout his celestial journeys, he finds his way to the winsome Keyes and his manager, Gleason. Followed by the 1947 sequel Down to Earth and the the inspiration for 1978's Heaven Can Wait. The laserdisc features a second audio track with commentary by Montgomery's daughter, Elizabeth Montgomery, who discusses the film, her father, and her own career. Academy Award Nominations: 7, including Best Picture, Best Director, Best Actor: Robert Montgomery. [More]
Starring: Robert Montgomery, Claude Rains, Evelyn Keyes, Rita Johnson
Starring: Robert Montgomery, Claude Rains, Evelyn Keyes, Rita Johnson, Edward Everett Horton, James Gleason, John Emery, Donald MacBride, Don Costello, Halliwell Hobbes
Director: Alexander Hall
Director: Alexander Hall
Screenwriter: Sidney Buchman, Seton I. Miller
Story: Harry Segall
Composer: Frederick Hollander
Reviews for Here Comes Mr. Jordan
A mildly amusing comedy fantasy that was extremely popular during WWII and later served as the basis for Warren Beatty's 1978 Heaven Can Wait.
The appealing theme of predestination is expressed by [Rain's] Mr. Jordan ... making this one of the few rom-coms expressly for Presbyterians.
Mr. Jordan has the right kind of love for itself: it isn't self-glorifying or self-fetishizing so much as it is contagiously warm toward its characters and besotted with its tenderly ambitious script
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