Character actor [Richard] Griffiths ensures that the film is watchable enough.
The History Boys (2006)
Tomatometer
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Reviews Counted:101
Fresh:63
Rotten:38
Average Rating:6.3/10
Consensus: While not quite having the impact of its original stage version, The History Boys nevertheless is a witty and involving school drama.
Theatrical Release:13-10-2006
Synopsis: THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master... THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master (Richard Griffiths), a young and shrewd teacher hired to up their test scores (Stephen Campbell Moore), a grossly out-numbered history teacher (Frances de la Tour), and a headmaster obsessed with results (Clive Merrison), the boys attempt to sift through it all to pass the daunting university admissions process. Their journey becomes as much about how education works, as it is about where education leads. The big screen adaptation of the five time Tony award-winning play of the same name, THE HISTORY BOYS utilizes the same talent that originally brought the production to the stage. It is directed by Nicholas Hytner from a script adapted for the screen by the playwright Alan Bennett. The stage version premiered to the world in London’s prestigious National Theatre in 2004, winning audience and critical acclaim alike including Laurence Olivier Awards for Best New Play, Best Director (Nicholas Hytner) and Best Actor (Richard Griffiths), as well as Evening Standard and Critics Circle Awards for Best Play. The production will premiere on Broadway in the spring of 2006. The key cast of the film remains the same as the original stage version led by Richard Griffiths, Clive Merrison, Frances de la Tour, Stephen Campbell Moore, Sacha Dhawan, Samuel Anderson, Dominic Cooper, Andrew Knott, Samuel Barnett, Russell Tovey, Jamie Parker and James Corden. THE HISTORY BOYS is produced by Kevin Loader (ENDURING LOVE, CAPTAIN CORELLI’S MANDOLIN), Damian Jones (MILLIONS, WELCOME TO SARAJEVO) and Nicholas Hytner. A distinguished British screenwriter, playwright and actor, Alan Bennett recently won his fourth Olivier Award for Best New Play for “The History Boys.” Previously he won two Oliviers for “Talking Heads” in 1992 and one for “Single Spies” in 1989. In addition to being nominated for an Oscar, a BAFTA Award and a Writers Guild of America Award for the feature film THE MADNESS OF KING GEORGE, Bennett won a Writers Guild of Great Britain Award. He has been nominated for eight BAFTA TV Awards and won one for “A Question of Attribution,” and received three BAFTA Film nominations. Bennett began his career as an actor and writer for the "Beyond the Fringe" comedy troupe, which also included Dudley Moore, Peter Cook, and Jonathan Miller. Nicholas Hytner won a BAFTA Award for Best British Film for THE MADNESS OF KING GEORGE. He earned both a Tony and an Olivier Award for his direction of “Carousel” and an Olivier Award for “The History Boys.” He was awarded the 1989 London Evening Standard Theatre Award and London Critics Circle Theatre Award for Best Director for “Miss Saigon” and “Ghetto.” Hytner’s feature film directorial credits also include THE OBJECT OF MY AFFECTION and THE CRUCIBLE. Hytner is Artistic Director of London’s National Theatre. -- © Fox Searchlight Pictures [More]
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths, Clive Merrison, Adrian Scarborough, Russell Tovey, Penelope Wilton
Director: Nicholas Hytner
Director: Nicholas Hytner
Screenwriter: Alan Bennett
Producer: Damian Jones, Kevin Loader
Composer: George Fenton
Studio: Fox Searchlight Pictures
Reviews for The History Boys
Lust, love, death and homosexuality (an inevitable topic in British school pictures) each hold the verbal field awhile, but most of the discussion centers around the nature and value of learning.
The History Boys is a movie that asks questions like 'What is education really for anyway?' and asks them in an altogether witty, brainy way. It turns history into what it really is, the story of our lives.
Unfortunately, the staid production never manages to justify the leap from stage to screen.
During a mock-interview, Dorothy lays out the film's simultaneous awareness and exploitation of its own limits. 'Imagine how depressing it is to teach five centuries of masculine ineptitude.'
A cleverly entertaining if somewhat acerbic, hyper-paced romp into British academic territory.
Easily compared to Dead Poet's Society, the British classroom comedy is unable to shake its stagy origins, with claustrophobic settings and contrived dialogue.
The History Boys boasts a dazzling verbal cleverness%u2014the gleeful rat-a-tat of snappy banter expertly executed%u2014that doesn't keep it from also being deeply, exquisitely sad.
...It's a rare pleasure to see a film that assumes literacy on the part of its audience.
The film feels like a pedestrian delivery system for other people's brilliant work.
...History Boys manages a neat combination: It has both literacy and spunk.
There are no spontaneous moments on screen: The characters aren't reacting to each other; they're waiting for the cut to deliver a line they've had memorized since [the play] played the London National.
The History Boys is best when it crackles with the passion of ideas about the function and importance of ... ideas.
Although grounded in the fact-based world of academia, The History Boys offers little of substance.
Bennett's themes are vague, muddled and poorly thought out, the more realistic medium of cinema makes his language contrived (especially when coming out of the mouths of babes) and Hytner's direction is stagy.
It's been quite a while since movies have offered such a nice night out at the theater.
History Boys fails because Nicholas Hytner, who also directed it onstage, didn't rethink it for the movies.
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