The closest mirror image of Republican Mark Foley is Mr. Hector, an unconventional educator with a fondness for groping his students’ while giving them motorcycle rides.
The History Boys (2006)
Tomatometer
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Reviews Counted:101
Fresh:63
Rotten:38
Average Rating:6.3/10
Consensus: While not quite having the impact of its original stage version, The History Boys nevertheless is a witty and involving school drama.
Theatrical Release:13-10-2006
Synopsis: THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master... THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master (Richard Griffiths), a young and shrewd teacher hired to up their test scores (Stephen Campbell Moore), a grossly out-numbered history teacher (Frances de la Tour), and a headmaster obsessed with results (Clive Merrison), the boys attempt to sift through it all to pass the daunting university admissions process. Their journey becomes as much about how education works, as it is about where education leads. The big screen adaptation of the five time Tony award-winning play of the same name, THE HISTORY BOYS utilizes the same talent that originally brought the production to the stage. It is directed by Nicholas Hytner from a script adapted for the screen by the playwright Alan Bennett. The stage version premiered to the world in London’s prestigious National Theatre in 2004, winning audience and critical acclaim alike including Laurence Olivier Awards for Best New Play, Best Director (Nicholas Hytner) and Best Actor (Richard Griffiths), as well as Evening Standard and Critics Circle Awards for Best Play. The production will premiere on Broadway in the spring of 2006. The key cast of the film remains the same as the original stage version led by Richard Griffiths, Clive Merrison, Frances de la Tour, Stephen Campbell Moore, Sacha Dhawan, Samuel Anderson, Dominic Cooper, Andrew Knott, Samuel Barnett, Russell Tovey, Jamie Parker and James Corden. THE HISTORY BOYS is produced by Kevin Loader (ENDURING LOVE, CAPTAIN CORELLI’S MANDOLIN), Damian Jones (MILLIONS, WELCOME TO SARAJEVO) and Nicholas Hytner. A distinguished British screenwriter, playwright and actor, Alan Bennett recently won his fourth Olivier Award for Best New Play for “The History Boys.” Previously he won two Oliviers for “Talking Heads” in 1992 and one for “Single Spies” in 1989. In addition to being nominated for an Oscar, a BAFTA Award and a Writers Guild of America Award for the feature film THE MADNESS OF KING GEORGE, Bennett won a Writers Guild of Great Britain Award. He has been nominated for eight BAFTA TV Awards and won one for “A Question of Attribution,” and received three BAFTA Film nominations. Bennett began his career as an actor and writer for the "Beyond the Fringe" comedy troupe, which also included Dudley Moore, Peter Cook, and Jonathan Miller. Nicholas Hytner won a BAFTA Award for Best British Film for THE MADNESS OF KING GEORGE. He earned both a Tony and an Olivier Award for his direction of “Carousel” and an Olivier Award for “The History Boys.” He was awarded the 1989 London Evening Standard Theatre Award and London Critics Circle Theatre Award for Best Director for “Miss Saigon” and “Ghetto.” Hytner’s feature film directorial credits also include THE OBJECT OF MY AFFECTION and THE CRUCIBLE. Hytner is Artistic Director of London’s National Theatre. -- © Fox Searchlight Pictures [More]
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths, Clive Merrison, Adrian Scarborough, Russell Tovey, Penelope Wilton
Director: Nicholas Hytner
Director: Nicholas Hytner
Screenwriter: Alan Bennett
Producer: Damian Jones, Kevin Loader
Composer: George Fenton
Studio: Fox Searchlight Pictures
Reviews for The History Boys
While the goal of our heroes may be to make it to university, the film's focus is clearly the journey, not the destination.
The History Boys is hit-and-miss with each scene. There's no through line, in the sense that the audience never really is made to care about the things the characters care about.
It is still an excellent adaptation, Bennett's wit and the fine cast surviving and ultimately triumphing in the transition from the theater to the multiplex.
Surprisingly thin gruel considering all the fuss over the theatrical presentation.
It is hard to imagine what possible point there was in turning it into a movie. Nothing MOVES.
Captures the magic with an almost seamless transition to the screen and only a few lulls that reveal the film's stage roots.
an ably immortalized version of a simple coming-of-age en masse drama that works nearly as well on screen as it would on stage
The greatest adventure and saddest irony--taught alike by teachers to students and students to teachers--is that the big picture of history is writ small and ruthlessly unforgiving in each life--indeed, in every moment.
Having created this moral confusion for the audience, Bennett sweeps it all away with a mushy, sentimental ending that would seem tidy if we weren't all too aware of the pile of dirt the playwright left under the bed.
The History Boys is essentially filmed theater, with minimal, and usually clumsy, attempts to take the action out of the classroom.
Even with multiple trips outdoors and crosstown gropes on Hector's motorcycle, The History Boys is a play pretending to be a movie.
The play, however, has been heavily cut and the boys blend together, as director Nicholas Hytner masses them in groups and Bennett provides only the barest of descriptions.
The History Boys is an erudite, sharply written film with consummate performances, but its origins on the stage are all too obvious.
It’s rare that a movie succeeds almost purely on the basis of non-cinematic elements, but The History Boys is such a film.
Alan Bennett's sentimental play about a group of young 'Oxbridge' hopefuls comes to the screen mostly intact, plus a few new scenes written by Bennett himself.
A lively and entertaining disquisition on the purpose and uses of knowledge in a world that cares less about scholarship than quantifiable results.
Griffiths' brilliantly rumpled academic with recklessly roving hands is matched by the disarming Samuel Barnett as a sad-sack gay student, and the bull's-eye precise Frances de la Tour, a battle-weary standard bearer for feminist history.
The current of intellectual energy snapping through the ferociously engaging screen adaptation of Alan Bennett's Tony Award-winning play feels like electrical brain stimulation.
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