We want to understand Reeves and his life; corny sentiment around his death feels awkward and unnecessary.
Hollywoodland (2006)
Tomatometer
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: 15 [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:24-11-2006
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
Reviews for Hollywoodland
It’s worth seeing for Affleck alone, deftly communicating the distance between the put-on cardboard debonairness of this hunk-about-town and the gnawing uncertainties beneath his Superman outfit.
It's Affleck's ghost of film future. Watch his hurt-glazed eyes as he sits in the screening of From Here to Eternity while all around him people laugh at 'Superman' pretending to be someone else.
Frustratingly ambiguous as a thriller, Coulter’s strong debut should be approached as a disturbing parable on the nature of fame.
With a career-best performance from Ben Affleck, this is an enjoyable, well made thriller, even if the ending is a bit of a cop-out.
A mature and satisfying noir-mystery with Affleck finally redeeming himself in a supporting role.
Handsome film that gets the details right but often becomes lost in its own sprawling narrative.
Sweeping precariously close to L.A. Confidential (1997) and Auto Focus (2002) as well as several hundred other recent biopics, Allen Coulter's Hollywoodland nevertheless manages a flavor of its own.
Focuses on the story through the eyes of a private detective whose own life is somewhat desperate. Brody is brilliant in the part, he sparks the life into a pretty good script
A fun guessing game full of intriguing possibilities -- and an unusual interactive experience that allows the viewer to make up his or her own mind.
Transcends its clumsy title and proves itself a respectable period piece.
A Tinseltown story without the tinsel, a whodunit that has little mystery.
A kryptonite cocktail knocked back with a teary-eyed wink by Diane Lane, who emerges as the tarnished trophy wife to beat for this year's Best Supporting Actress Oscar.
The pacing is slow and deliberate, but the story never ceases to intrigue.
Director Allen Coulter’s vision does the real Hollywood of that time justice, bequeathing a gauche garishness to the landscape and a guttural voice to the interiors.
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