It's far from seamless, but it is genuinely haunting.
Hollywoodland (2006)
Tomatometer
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: 15 [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:24-11-2006
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
Reviews for Hollywoodland
Frustratingly ambiguous as a thriller, Coulter’s strong debut should be approached as a disturbing parable on the nature of fame.
We want to understand Reeves and his life; corny sentiment around his death feels awkward and unnecessary.
It's Affleck's ghost of film future. Watch his hurt-glazed eyes as he sits in the screening of From Here to Eternity while all around him people laugh at 'Superman' pretending to be someone else.
It’s worth seeing for Affleck alone, deftly communicating the distance between the put-on cardboard debonairness of this hunk-about-town and the gnawing uncertainties beneath his Superman outfit.
With a career-best performance from Ben Affleck, this is an enjoyable, well made thriller, even if the ending is a bit of a cop-out.
It's not a crisp as L.A. Confidential, but it does its job simultaneously glorifying the silver age of Hollywood and exposing its dirty little secrets.
Hollywoodland is worth seeing for anyone who appreciates actors at their apex, plus flawless period music, costumes, and cinematography.
Hollywoodland is gripping entertainment that teases answers and sparks conversations.
With its memorable performances and haunted film noir tone, Hollywoodland is among the early contenders for a place at next year's Oscar table.
The 126-minute film would have benefited from a slight trim, but I still found a lot of interest in the story's depiction of broken dreams and broken lives.
The movie plays as an engaging jaunt into the past, which not only re-creates old Hollywood but comments on the superficial and fleeting nature of fame.
Intelligent, moving and handsomely realized ... as much a meditation on the death of Old Hollywood and the emergence of modern anxiety as the George Reeves bio-pic it's often described as being.
We could say, Forget it, Jake. It's Chinatown. But that just conjures up memories of the kind of mystery movie Hollywoodland only wishes it could be.
... the film never digs far enough below the surface of this male pinup ...
A Tinseltown story without the tinsel, a whodunit that has little mystery.
Like Affleck's performance, Hollywoodland has its affecting moments. But generally, it feels like an HBO original movie, where respectable but uninspired execution mars a fascinating subject and a great cast.
But dreams of fame evolve. And where once it would have just been enough to be recognized, it becomes apparent only later that this is not quite enough.
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