From a character point of view, Adrien Brodey's emotional journey as a broken down investigator and a broken down father from a broken marriage, is the film's incomplete centrepiece, Ben Affleck's superb portrayal of George Reeves notwithstanding.
Hollywoodland (2006)
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: 15 [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:24-11-2006
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
Reviews for Hollywoodland
Un atractivo y bien logrado ejemplo de cine negro donde se mezclan glamour y misterio, con estupendo elenco y excelente recreación de época y atmósfera.
Middle-aged angst - and not the mystery of Reeves' unsolved death - lies at the heart of Hollywoodland.
Worthwhile for the amusement of the escape to a bygone era alone. But when you factor in an absorbing pulp fiction plotline, you've got all you can ask of a cinematic experience.
But dreams of fame evolve. And where once it would have just been enough to be recognized, it becomes apparent only later that this is not quite enough.
It is not just that people die in the film, its the way their souls get mauled while they are still alive.
An interesting tale, softened and ruined by the director's choice of settling on studio spin.
Stark, probing and beautifully crafted, Hollywoodland is a slow-burning mystery/thriller that intriguingly jumps along with each suspenseful frame.
Hollywoodland is a complex film: part noir, part biopic, all powerful character study.
Never makes a case that Reeves' death is worth probing, or even mourning; as on Superman, his humanity is utterly stifled by lousy production values and unrewarding stunts.
It's not unreasonable to believe Hollywoodland will be remembered alongside great Los Angeles films such as L.A. Confidential and Sunset Boulevard.
Though they take artistic liberties, Bernbaum and director Allen Coulter respect their subject.
Watching "Hollywoodland" unwind, it becomes clear that this is the movie Coulter and Bernbaum should have made in the twilight of their careers, after Hollywood had had its way with them.
... the film never digs far enough below the surface of this male pinup ...
The back-and-forth storytelling becomes tedious but good performances keep the film from failing entirely.
A nice mix of real facts, and what could have been real facts, in a sweet look at the man of steel killed not by kryptonite, but by television.
One of the main reasons to see the movie is for the performance of Ben Affleck as George Reeves.
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