The pacing is slow and deliberate, but the story never ceases to intrigue.
Hollywoodland (2006)
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Rated: 15 [See Full Rating] for language, some violence and sexual content.
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:24-11-2006
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
Reviews for Hollywoodland
There's enough going on in Hollywoodland that its strengths -- its look, the majority of its performances, and that mystery surrounding Reeves' end -- outweigh the damage that Affleck inflicts on it.
With a more restrained, subtler actor, Hollywoodland could have been what it aspires to be: a study of twin trajectories (Reeves and Simo) caught in the spotlights of Tinseltown, where dreams crash headlong into hard reality -- and dubious ethics.
Not a camp hoot like Mommie Dearest, nor a taut vision of the dream jungle like Sunset Boulevard, Hollywoodland is gamey in its methods, but rises above a compost heap like Wonderland.
The film, actually, is a little like Reeves himself: It starts promisingly and trails off into indistinctness and mystery.
[Hollywoodland] holds interest as a whodunit that's refreshingly compassionate toward the fates of its characters. Warts and all, they're likable dreamers in a town where dreams don't always come true.
The interplay between hard facts and the dreams that are the currency of movie actors, agents and producers that gives Hollywoodland both its glitter and its grit.
A dark, stylish tale of Tinseltown tawdriness out of the strange inconsistencies surrounding the death of TV Superman George Reeves.
Hollywoodland had me wishing for the improbable: that somebody would release the Ben Affleck movie concealed within.
The movies love a tasty murder, which is why Ben Affleck has packed on the pounds, slipped on some tights and given this exasperating film far more than it gives in return.
It’s certainly a juicy, real-life mystery; one that’s explored with surprising non-commitment
It's just another sordid tale from a city famous for them. But Hollywoodland explains so much about today's Hollywood, from the cozy ways the cops have always played ball with the studios and stars, to the career-killing pain of type-casting.
Hollywoodland takes a trashy real-life story and peels it open just enough to show us the human aspects of the people involved.
Want a place where everything ends nicely? Where even tragedies end in a lesson learned? Forget it, pal. It's Hollywoodland.
More closely resembles a poorly made tabloid instead of a film with just an identity problem.
Hollywoodland is laden with atmosphere but moves like it has lead in its tights.
Hollywoodland, a fascinating, intelligent and probing new film noir about the unsolved Tinseltown mystery surrounding the death of actor George Reeves.
A bit of a hodgepodge -- unnecessarily complicated, clumsily structured, uncertainly directed and, as a whodunit, ultimately unsatisfying.
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