Aimless and unfocused.
Holy Smoke! (1999)
Tomatometer
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Reviews Counted:73
Fresh:32
Rotten:41
Average Rating:5.6/10
Consensus: Superb performances hindered by weak script and incoherent story.
Runtime: 1 hr 54 mins
Genre: Comedies
Synopsis: In this wildly inventive film from director Jane Campion (THE PIANO), Kate Winslet stars as Ruth, a headstrong Australian woman determined to get back to India in time to join a group marriage to... In this wildly inventive film from director Jane Campion (THE PIANO), Kate Winslet stars as Ruth, a headstrong Australian woman determined to get back to India in time to join a group marriage to her guru. Her family, hoping to break the cult leader's psychic grip on Ruth, hires P.J. (Harvey Keitel), a macho American deprogramming expert teetering on the brink of a nervous breakdown. A no-holds-barred battle of the psyches, cultures, and sexes ensues as P.J. and Ruth fight, connive, and eventually fall into bed together in what becomes a mutual search for individual truth. The strong performances of the two stars, a hilariously offbeat script (cowritten by Campion and her sister, Anna), and a wealth of delicious, texture-enhancing flourishes (including some surreal bits of computer animation, Pam Grier's work in a small role as P.J.'s partner, and a wild opening sequence set to Neil Diamond's "Holly Holy") combine to make HOLY SMOKE! a weird, winning blend of goofy comedy and hallucinatory mysticism. [More]
Starring: Kate Winslet, Harvey Keitel, Sophie Lee, Tim Robertson
Starring: Kate Winslet, Harvey Keitel, Sophie Lee, Tim Robertson, Pam Grier, Dan Wyllie
Director: Jane Campion
Director: Jane Campion
Screenwriter: Anna Campion, Jane Campion
Producer: Jan Chapman
Composer: Angelo Badalamenti
Reviews for Holy Smoke!
It's refreshing to see Winslet follow Titanic's phenomenal commercial success by returning to the edgy roles in smaller films that earned her recognition in the first place.
Every shot Campion and cinematographer Dion Beebe come up with is a compositional classic.
The talent on display in the first part of the movie ends up squandered, as if the film has given up on us.
Winslet is the sort of actress who can rage at the heavens and reach for them at the same time.
This script -- to be kind -- is uneven at best and completely illogical at its worst.
It probably all looked good on paper, but the playing out is something else again.
One other factor makes Holy Smoke! persuasive to watch: Campion's sheer pleasure in image-making.
I suspect much of Grier's work on this film is cluttering the cutting room floor, and her character is just never realized. Outside of this one shortcoming, Holy Smoke is a masterpiece.
The film isn't really about cults at all, but about the struggle between men and women, and it's a little surprising, although not boring, when it turns from a mystic travelogue into a feminist parable.
As the story gets weaker and lazier, neither Winslet nor the stunning visuals can save the film from descending into camp and confusion.
It's not so much shallow as it is garish and over-wrought, an Important Message Movie without a solid base of characterization to ground it.
To call Winslet’s performance voluptuous makes a nice double entendre to be sure, but it captures the passion and emotional power she invests in the role.
The screenplay sometimes slashes with sharp dialogue, and Campion's directing unmistakably breathes conviction. What she lacks is sufficient humor to see when she approaches the risible and sufficient perception to keep her seriousness fresh.
Part quirky Australian comedy and part film about cult deprogramming, the script by Anna and Jane Campion is neither funny nor credible.
Holy Smoke! owes a lot to Winslet, both because of the way she looks and because of the emotional energy she brings to her work. Without Winslet, the film would be barely worth watching.
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