Dr, Will Marsh (Samuel L. Jackson) has to reintegrate with a family that no longer really understands him. The problem with the film is, while Winkler and writer Mark Friedman try, we can't really understand either.
Home of the Brave (2006)
Tomatometer
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Reviews Counted:53
Fresh:12
Rotten:41
Average Rating:4.2/10
Consensus: The ensemble cast works hard, but hammy direction and a script lacking in nuance ruins this movie’s noble intentions.
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Synopsis: The Vietnam War provided plenty of cinematic ruminations on the futility of battle and the struggle of returning soldiers to adjust to normal life. With HOME OF THE BRAVE director Irwin Winkler... The Vietnam War provided plenty of cinematic ruminations on the futility of battle and the struggle of returning soldiers to adjust to normal life. With HOME OF THE BRAVE director Irwin Winkler (THE NET) applies similar concepts to the Iraq War of the early 21st century, positing actors Samuel L. Jackson, Jessica Biel, Brian Presley, and 50 Cent (credited here under his real name, Curtis Jackson) in the roles of army recruits who tussle with the mundanity of life after war. The action begins during the heat of battle, with an ambush that leaves many of its victims either dead or wounded. Winkler subsequently transports the action to the struggles his characters endure once safely back home, with alcoholism, prosthetic limbs, parental abuse, and a hostage crisis all causing innumerable problems, none of which are helped by a military that remains uninterested in their frantic pleas for help and guidance. Winkler infuses his film with an equal mixture of anger and grief, and while he may not reach the heights of Oliver Stone's BORN ON THE FOURTH OF JULY or Michael Cimino's THE DEER HUNTER, he draws on similar frustrations felt by the characters in those movies. HOME OF THE BRAVE was shot while the violence still raged in Iraq, which will doubtless make it a fascinating curio in years to come, especially as this denied Winkler a distance from his subject that many of the filmmakers who masterfully dissected the Vietnam War undoubtedly benefited from. [More]
Starring: Samuel L. Jackson, Curtis Jackson, Jessica Biel, Christina Ricci
Starring: Samuel L. Jackson, Curtis Jackson, Jessica Biel, Christina Ricci, Chad Michael Murray
Director: Irwin Winkler
Director: Irwin Winkler
Producer: Rob Cowan, Randall Emmett, George Furla
Composer: Stephen Endelman
Studio: MGM
Reviews for Home of the Brave
Jamal is a peculiar figure, part fantastic and part fearsome, a gangster trained and used up by the military, then left without any recourse.
This is a solid and timely piece of work from Hollywood veteran Irwin Winkler.
In an attempt to honor the veterans of our Middle East misadventure, Winkler and screenwriter Mark Friedman wind up reducing their experiences to the stuff of bad TV movies.
Home Of The Brave ultimately says ... what? War is tough. That's fair, and so is [director] Winkler's reluctance to engage the politics of this particular war and focus on the soldiers that fight it.
There is less truth in this entire work than in a few minutes of such recent documentaries as The War Tapes or The Ground Truth.
Home of the Brave is so ham-fisted in its attempts to wring pathos from the vets' problems that it plays like an overwrought parody of an award bait movie.
Mark Friedman cover all the bases, but good intentions aside, it's hard to recommend such a thin, cliched fictionalization when so many good documentaries -- The War Tapes, The Ground Truth -- feature the voices of actual soldiers.
The intentions are good. The actors have been assembled with care, and the production is polished. But everything feels assembled, as if it were put together from blueprints.
The kindest description of Home of the Brave, the first Hollywood movie to examine the experience of American soldiers returning from Iraq, might be that it is fueled by noble intentions.
[It] gets points for being the first movie to depict Iraq war veterans adjusting to civilian life. It loses points for being a painfully earnest and very thinly conceived update of The Best Years of Our Lives and Coming Home.
While Mark Friedman's script is as unsubtle as Winkler's direction, their sincerity and the subject's sharp immediacy lend the film a certain power.
[Its] mild-mannerness is especially disappointing when compared with such documentaries as The War Tapes and the excellent Home Front, vivid and incisive explorations of post-Iraq anger and disillusionment that have gone largely unseen.
The first major feature film about the Iraq War, Home of the Brave deserves a pass because it ain't half bad and, well, it's the first feature about the Iraq War.
Although it plays like a rough draft of a better Iraq War film yet to be made, Home of the Brave should put the subject on the front page, where it belongs.
Brave reduces everything to riotously loathsome television movie standards, bleeding the potency of what should be a very significant and disturbing story dry.
A noble effort that nonetheless results in the kind of movie words like 'wallow' were made for; sitting through it is a drag.
A vote against its heavy-handedness does not make you or I a troop hater. In fact, I believe they deserve a narrative free of after-school special dramatics.
Home of the Brave isn't exactly a subtle or a delicate picture -- it's an old-fashioned Hollywood movie, at least in tone, that's being released like an indie -- but it has some terrific acting and comes straight from the heart.
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