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Hostel (2006)
Rated: 18
Runtime: 1 hr 35 mins
Theatrical Release: 24-03-2006
Synopsis: The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (CABIN FEVER) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a... The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (CABIN FEVER) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way they picked up an Icelandic lunk named Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveler tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures; enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterize precursors such as SAW, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. [More]
Genre: Horror/Suspense
Starring: Jay Hernandez, Derek Richardson, Lenka Vlasakova, Shane Daly, Jan Vlasak
DVD Info
Release:
Nov 10, 2008
Blu-ray Features:
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 - English, French, Portuguese
- Subtitles - English, French, Mandarin, Portuguese, Spanish - Optional
Additional Release Material:
- Audio Commentary - 1. Eli Roth - Director; Quentin Tarentino - Executive Producer; Harry Knowles
- Featurettes - 1. "HOSTEL Dissected: Behind-the-Scenes"
- 2. "Kill the Car - Multi-Angle Interactive Featurette"
Reviews
The first act’s filler, otherwise it’s a squirmer. Bring a bucket.
Sadly, as with [director Eli] Roth’s promising but flawed debut feature, its central conceit is more compelling than what ended up on screen.
Eli Roth has clearly seen way too many video nasties than can strictly be considered healthy - the first half of the film is wall-to-wall gratuitous sex and violence, and not always in a good way.
Beyond its 'How far can I go?' attitude to violence, Hostel has no reason to exist.
There isn't really much suspense or scariness in this film, but it is seriously nightmarish
Roth is able to change the focus from frolicking raunchiness to extreme chilliness in a way that's quite sobering.
A stern moralistic rebuke to ugly-Americanism. The movie is in-your-face but not pointlessly so.
This is routine Roth as usual. Homophobia, attempted nihilism, vapid writing, paper thin plot, and nonsensical all the way...
Roth proves unable to control the tone of his premise, in the end pandering too much to the male adolescent audience that he at first seems to be satirising.
The skill with which Eli Roth has constructed his film, especially its first 40 minutes, leads me to give it the benefit of the doubt. It's creepy, gripping, horrifying stuff.
While there are some cheap thrills to be had here, much of the movie is profoundly boring.
Whether or not this kind of horror movie is your cup of tea, you have to at least admire Roth for the daring and creativity with which he illustrates that concept.
...no one is going to mistake "Hostel" for a travelogue, unless they are looking for a journey full of terror.
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