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The House of Mirth (2000)
Tomatometer
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Reviews Counted:93
Fresh:75
Rotten:18
Average Rating:6.8/10
Consensus: Despite being a period piece, The House of Mirth's depiction of social cruelty still feels chilling and relevant for today.
Runtime: 2 hrs 20 mins
Genre: Dramas
Synopsis: Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features... Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features a heartrending, perfectly nuanced performance by Gillian Anderson as doomed heroine Lily Bart. Lily, though strikingly beautiful and socially prominent, remains unmarried at the late age of 29. She jokes that marriage is a woman's vocation, but she is conflicted between her desire to marry a wealthy man and her love for handsome, elegant Lawrence Selden (Eric Stoltz), who, unforgivably, must work for a living. Lily's options begin to narrow, however, when her backstabbing friend, Bertha Dorset (Laura Linney), informs potential suitors of her gambling debts. In a world where the slightest hint of impropriety equals social death, Lily's self-professed genius in doing the wrong thing at the right time leads to trouble. A potential solution to Lily's downward social spiral arrives when a useful secret falls into her lap. In order to save herself, Lily must struggle with her naïveté, pride, and ineptitude at playing the elite's deadly, coded game. Davies's beautifully composed, richly textured images and Anderson's skillful evocation of quiet desperation make for a visually stunning, emotionally resonant tale. [More]
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron, Terry Kinney, Anthony LaPaglia, Laura Linney, Elizabeth McGovern, Jodhi May, Penny Downie, Pearce Quigley, Helen Coker, Mary Macloed
Director: Terence Davies
Director: Terence Davies
Screenwriter: Terence Davies
Producer: Olivia Stewart
Composer: Adrian Johnston
Studio: Sony Pictures Classics
Reviews for The House of Mirth
The joyless tone seeps off the screen and ultimately takes its toll on the viewer.
It's impossible to describe the awfulness of this thing -- still, for my own catharsis, I'll give it a shot.
Davies becomes so transfixed by the detail of this self-enclosed world of privileged hypocrites that he omits to give his film any emotional drive.
Everything about the film feels ornate but funereal, like an airless luxury suite on the last night of an affair.
Besides his remarkable ability to render a profound sense of past in all his films, Davies can uncannily map out the emotions of his characters via his mise-en-scene.
Ultimately, each passing minute equates to another cruel twist of the knife, and the audience cannot help but be riveted.
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