The joyless tone seeps off the screen and ultimately takes its toll on the viewer.
The House of Mirth (2000)
Tomatometer
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Reviews Counted:93
Fresh:75
Rotten:18
Average Rating:6.8/10
Consensus: Despite being a period piece, The House of Mirth's depiction of social cruelty still feels chilling and relevant for today.
Runtime: 2 hrs 20 mins
Genre: Dramas
Synopsis: Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features... Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features a heartrending, perfectly nuanced performance by Gillian Anderson as doomed heroine Lily Bart. Lily, though strikingly beautiful and socially prominent, remains unmarried at the late age of 29. She jokes that marriage is a woman's vocation, but she is conflicted between her desire to marry a wealthy man and her love for handsome, elegant Lawrence Selden (Eric Stoltz), who, unforgivably, must work for a living. Lily's options begin to narrow, however, when her backstabbing friend, Bertha Dorset (Laura Linney), informs potential suitors of her gambling debts. In a world where the slightest hint of impropriety equals social death, Lily's self-professed genius in doing the wrong thing at the right time leads to trouble. A potential solution to Lily's downward social spiral arrives when a useful secret falls into her lap. In order to save herself, Lily must struggle with her naďveté, pride, and ineptitude at playing the elite's deadly, coded game. Davies's beautifully composed, richly textured images and Anderson's skillful evocation of quiet desperation make for a visually stunning, emotionally resonant tale. [More]
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron, Terry Kinney, Anthony LaPaglia, Laura Linney, Elizabeth McGovern, Jodhi May, Penny Downie, Pearce Quigley, Helen Coker, Mary Macloed
Director: Terence Davies
Director: Terence Davies
Screenwriter: Terence Davies
Producer: Olivia Stewart
Composer: Adrian Johnston
Studio: Sony Pictures Classics
Reviews for The House of Mirth
Davies becomes so transfixed by the detail of this self-enclosed world of privileged hypocrites that he omits to give his film any emotional drive.
It's impossible to describe the awfulness of this thing -- still, for my own catharsis, I'll give it a shot.
A terrific evocation of the author's world and its pitiable main character.
Not since A Room with a View has a classic novel been so perfectly realized on film.
Gillian Anderson da muestras inusitadas de una versatilidad que seguramente le traerá buenos dividendos en el futuro
Anderson's great performance -- a study in stillness and reserve -- gets us through a story that is almost painful to watch.
What we're talking about here could hardly be described as a tableau vivant.
The power of its story -- especially in the latter moments -- will leave many stunned and deeply affected.
A fine film that largely respects the literary classic it springs from -- and makes you want to read it, or re-read it.
[Davies] puts his trust in Anderson, who rises to the occasion beautifully, lending her character a veritable synthesis of human strengths and frailties.
Populated by three-dimensional characters who quietly illustrate the hypocrisy and double-dealing required to keep one's spot in society.
Gillian Anderson gives a strong performance that proves she has moved beyond her television series persona on The X-Files
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