A terrific evocation of the author's world and its pitiable main character.
The House of Mirth (2000)
Tomatometer
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Reviews Counted:93
Fresh:75
Rotten:18
Average Rating:6.8/10
Consensus: Despite being a period piece, The House of Mirth's depiction of social cruelty still feels chilling and relevant for today.
Runtime: 2 hrs 20 mins
Genre: Dramas
Synopsis: Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features... Terence Davies (DISTANT VOICES, STILL LIVES) triumphs with his sumptuous, painterly adaptation of Edith Wharton's novel, which is set amid the vicious moneyed classes of 1905 New York and features a heartrending, perfectly nuanced performance by Gillian Anderson as doomed heroine Lily Bart. Lily, though strikingly beautiful and socially prominent, remains unmarried at the late age of 29. She jokes that marriage is a woman's vocation, but she is conflicted between her desire to marry a wealthy man and her love for handsome, elegant Lawrence Selden (Eric Stoltz), who, unforgivably, must work for a living. Lily's options begin to narrow, however, when her backstabbing friend, Bertha Dorset (Laura Linney), informs potential suitors of her gambling debts. In a world where the slightest hint of impropriety equals social death, Lily's self-professed genius in doing the wrong thing at the right time leads to trouble. A potential solution to Lily's downward social spiral arrives when a useful secret falls into her lap. In order to save herself, Lily must struggle with her naïveté, pride, and ineptitude at playing the elite's deadly, coded game. Davies's beautifully composed, richly textured images and Anderson's skillful evocation of quiet desperation make for a visually stunning, emotionally resonant tale. [More]
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron
Starring: Gillian Anderson, Eric Stoltz, Dan Aykroyd, Eleanor Bron, Terry Kinney, Anthony LaPaglia, Laura Linney, Elizabeth McGovern, Jodhi May, Penny Downie, Pearce Quigley, Helen Coker, Mary Macloed
Director: Terence Davies
Director: Terence Davies
Screenwriter: Terence Davies
Producer: Olivia Stewart
Composer: Adrian Johnston
Studio: Sony Pictures Classics
Reviews for The House of Mirth
Such an audacious and unexpected triumph as Anderson's enhances everything around it.
It's a skillful brand of difficult, one that will keep you absorbed, and Anderson gives the kind of performance that will make you forget about The X-Files forever.
The most bloodless and least involving film about turn-of-the-century society since Merchant-Ivory's The Bostonians.
Anderson's Lily is the kind of heroine who earns our protectiveness by never begging for it; it's an astonishing performance.
Anderson's talent has many notes, and I liked the presence she brought to Lily Bart.
In a sense, [Anderson is] perfect for the role of a woman who, as Selden describes her, 'has it in her to be whatever she believed to be.'
The cruelty of class and the shame of an unforgiving society have seldom been as forcefully displayed.
It's no fetishized lost world, but one that is fiercely, uncomfortably present.
The miscast leads make this stately, BBC-ish adaptation ponderous instead of pointed.
Davies has nailed Wharton's bitter satire ... and leading lady Gillian Anderson shows dazzling range in her portrayal of the book's doomed heroine.
Stick with the film, accept the rules of the time and the meditative rhythm of the language that Davies has woven into his story, and you won't be disappointed.
[Davies] puts his trust in Anderson, who rises to the occasion beautifully, lending her character a veritable synthesis of human strengths and frailties.
Davies' adaptation encompasses all the layers and below surface simmerings of Wharton's story.
[A] faithful translation of a subtle and complex novel into an intriguing film that fully engages both the mind and the heart.
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