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Hustle & Flow (2005)
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Reviews Counted:149
Fresh:122
Rotten:27
Average Rating:7.3/10
Consensus: Hustle & Flow is gritty and redemptive, with a profound sense of place and exciting music.
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis: A gritty fairy tale of dreams deferred, HUSTLE & FLOW infuses the torpor of the Memphis ghetto with electric tension. Terrence Howard delivers the performance of a lifetime as DJay, a pimp and drug... A gritty fairy tale of dreams deferred, HUSTLE & FLOW infuses the torpor of the Memphis ghetto with electric tension. Terrence Howard delivers the performance of a lifetime as DJay, a pimp and drug dealer eking out an existence with his three whores, one of whom, Shug (Taraji P. Henson, HOLLA), is hugely pregnant. Nola (Taryn Manning, 8 MILE) turns tricks from the backseat of DJay's beater, while Lexus (Paula Jai Parker, LOVE CHRONICLES), the hustler's high-maintenance girlfriend, strips in a cellar-like club. DJay's dissatisfaction is increasing as he senses that life has nothing more in store for him, but a chance encounter with an old school friend, Key (Anthony Anderson, KING'S RANSOM), reignites his musical aspirations. Key is a small-time recording artist, and DJay, armed with a notebook full of lyrics, pays him a visit at home, much to the displeasure of Key's prim and proper wife (Elise Neal, PLAYA'S BALL). Initially dubious, Key agrees to partner with DJay after hearing his stuff, and the two build a makeshift recording studio in DJay's back room, enlisting the aid of a skinny white boy (DJ Qualls) with an unlikely talent on the drum machine. There unfolds the triumphant meat of the story, where, against all odds--and after a few bouts of infighting--everyone pitches in to cut DJay's crunk demo. Essentially a rags-to-riches story, director Craig Brewer avoids the saccharine through his achingly human portrayal of the characters. DJay is fraught with an undeniable misogyny that colors his otherwise sympathetic angst, and Howard portrays that complexity with grace and soul. With John Singleton in the producer's chair, HUSTLE & FLOW strikes an unprecedented balance between feel-good fare and unstinting urban drama, in what amounts to a powerful depiction of the pain and poignant struggle of those who populate this often-misinterpreted milieu. [More]
Starring: Terrence Howard, Ludacris, Anthony Anderson, DJ Qualls
Starring: Terrence Howard, Ludacris, Anthony Anderson, DJ Qualls, Taryn Manning, Paula Jai Parker, Taraji P. Henson, Elise Neal
Director: Craig Brewer
Director: Craig Brewer
Screenwriter: Craig Brewer
Producer: Stephanie Allain, John Singleton
Studio: Paramount Classics
Reviews for Hustle & Flow
Howard is simply terrific as DJay - he really makes you root for his character, despite his pimping, drug-dealing ways.
Follows the traditional Hollywood rags-to-riches tale but throws in unexpected grit and top-class drama.
A strikingly personal story that constantly surprises us with its insights, even if it does wallow a bit in the criminal lowlife.
Craig Brewer's first feature film is a volatile mixture of slickness and sincerity, hard-edged naturalism and sheer show-business hokum.
If the film wasn’t teetering enough on the edge of formula for the first two acts, it sinks like a stone into absurdity when tempers flare and guns are drawn for the finale.
If you overlook the f-bombs and the drug deals, Hustle & Flow is peddling the same easy-path-to-riches-and-romance story Danielle Steel keeps cranking out.
...an impressive performance by Terrence Howard, but the story is so seamy and the characters so unpleasant that it makes for a less than satisfying experience.
Brewer's failures in the last thirty minutes overwhelm everything he got right in the first ninety.
What's missing in this self-proclaimed story of redemption, though, is something other than a fairy-tale finale. It's the sense that the filmmaker understands the consequences of exploiting women even if his protagonist doesn't.
The movie as a whole feels self-consciously 'important,' as if it's trying too hard to be a rising-up-from-the-streets story as powerful as 8 Mile was.
For an alleged indie hit, the film is nothing if not shrewd about audience-hooking and sensory-manipulation
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