Follows the traditional Hollywood rags-to-riches tale but throws in unexpected grit and top-class drama.
Hustle & Flow (2005)
Tomatometer
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Reviews Counted:149
Fresh:122
Rotten:27
Average Rating:7.3/10
Consensus: Hustle & Flow is gritty and redemptive, with a profound sense of place and exciting music.
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis: A gritty fairy tale of dreams deferred, HUSTLE & FLOW infuses the torpor of the Memphis ghetto with electric tension. Terrence Howard delivers the performance of a lifetime as DJay, a pimp and drug... A gritty fairy tale of dreams deferred, HUSTLE & FLOW infuses the torpor of the Memphis ghetto with electric tension. Terrence Howard delivers the performance of a lifetime as DJay, a pimp and drug dealer eking out an existence with his three whores, one of whom, Shug (Taraji P. Henson, HOLLA), is hugely pregnant. Nola (Taryn Manning, 8 MILE) turns tricks from the backseat of DJay's beater, while Lexus (Paula Jai Parker, LOVE CHRONICLES), the hustler's high-maintenance girlfriend, strips in a cellar-like club. DJay's dissatisfaction is increasing as he senses that life has nothing more in store for him, but a chance encounter with an old school friend, Key (Anthony Anderson, KING'S RANSOM), reignites his musical aspirations. Key is a small-time recording artist, and DJay, armed with a notebook full of lyrics, pays him a visit at home, much to the displeasure of Key's prim and proper wife (Elise Neal, PLAYA'S BALL). Initially dubious, Key agrees to partner with DJay after hearing his stuff, and the two build a makeshift recording studio in DJay's back room, enlisting the aid of a skinny white boy (DJ Qualls) with an unlikely talent on the drum machine. There unfolds the triumphant meat of the story, where, against all odds--and after a few bouts of infighting--everyone pitches in to cut DJay's crunk demo. Essentially a rags-to-riches story, director Craig Brewer avoids the saccharine through his achingly human portrayal of the characters. DJay is fraught with an undeniable misogyny that colors his otherwise sympathetic angst, and Howard portrays that complexity with grace and soul. With John Singleton in the producer's chair, HUSTLE & FLOW strikes an unprecedented balance between feel-good fare and unstinting urban drama, in what amounts to a powerful depiction of the pain and poignant struggle of those who populate this often-misinterpreted milieu. [More]
Starring: Terrence Howard, Ludacris, Anthony Anderson, DJ Qualls
Starring: Terrence Howard, Ludacris, Anthony Anderson, DJ Qualls, Taryn Manning, Paula Jai Parker, Taraji P. Henson, Elise Neal
Director: Craig Brewer
Director: Craig Brewer
Screenwriter: Craig Brewer
Producer: Stephanie Allain, John Singleton
Studio: Paramount Classics
Reviews for Hustle & Flow
A strikingly personal story that constantly surprises us with its insights, even if it does wallow a bit in the criminal lowlife.
Howard is simply terrific as DJay - he really makes you root for his character, despite his pimping, drug-dealing ways.
The film feels very authentic in the way it shows these characters slaving away at the demo tape that might open the door to a better life.
Craig Brewer has a distinctive voice. He writes dialogue that authentically conveys the truth of real life while also touching on universal themes of hope and healing.
Shot and scored with a raw, throwback feel, the film slips out of predictability by massaging a lingering feeling of dread and hopelessness into DJay's tale of rising hope.
Hustle & Flow uses its street smarts to show that dreams come in all shapes and sizes and that their realization sometimes is preceded by nightmares.
...less a neo-blaxploitation product than another kind of '70s film, a naturalistic fiction about ordinary human beings and their not-entirely uplifting engagements
One of those terrific out-of-the-blue movies that come along every so often.
With Terrence Howard's performance providing the hook, [director] Brewer provides a flow of schemes, dreams and rap rhymes that take us on a journey inside a man's soul.
The movie’s ability to sway us over to its lyrics may be its ultimate tribute to the powers of art and self-expression.
The movie soundtrack bumps from the outset letting you know that whatever is about to happen over the next few hours, ya gonna feel it
A ghetto fabulous flick certain to generate some healthy debate as to whether it is glorifying or condemning the thug life which is so celebrated by the Hip-Hop Generation.
Some will rightly find it corny, absurd, and an insultingly limited presentation of options for the most disenfranchised African-Americans: I'm still waiting for the movie fantasy about the pimp who wants to get his GED.
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