It's heavy going at times...
I Confess (1953)
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Reviews Counted:19
Fresh:16
Rotten:3
Average Rating:7.2/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: I CONFESS, from the play by Paul Anthelme, is based on a premise custom made for Alfred Hitchcock's fascination with the dilemma of an innocent man accused of a crime. Montgomery Clift plays Father... I CONFESS, from the play by Paul Anthelme, is based on a premise custom made for Alfred Hitchcock's fascination with the dilemma of an innocent man accused of a crime. Montgomery Clift plays Father Michael Logan, a priest who hears the confession of a murderer and soon finds himself framed for the crime. Circumstantial evidence mounts, painting an ever more damning picture of the priest's crime while he is bound by his priestly vows not to reveal what he has learned in confession. If other Hitchcock dramas such as SABOTEUR follow the plight of the innocent man through breakneck pursuits, I CONFESS succeeds on the strength of Clift's ability to convey the real anxiety of the moral dilemma he faces and the effects of the widening chasm between pious intentions and social disgrace. Strong performances are also given by O.E. Hasse as the bitter and murderous gardener Otto Keller and by Anne Baxter as the woman whose faith in Father Logan also threatens scandal. [More]
Starring: Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne
Starring: Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne, Dolly Haas, O.E. Hasse, Roger Dann, Charles Andre, Judson Pratt
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Screenwriter: George Tabori, William Archibald
Producer: Alfred Hitchcock
Composer: Dimitri Tiomkin
Reviews for I Confess
Occupied the top spot on their Hitchcock chart in its time, but has since been usurped in the minds of contemporary critics by the filmmaker's later, slicker productions.
The sincerely intense performances by Malden and Clift make this minor Hitchcock tale seem like a major Hitchcock tale.
While Hitchcock short-changes on the expected round of suspense for which he is noted, he does bring out a number of topflight performances and gives the picture an interesting polish that is documentary at times.
A good, workmanlike thriller, I Confess is only fair-to-middling Hitchcock.
The biggest crime surrounding I Confess is the generally indifferent reception that the film has received over the years
Alfred Hitchcock's famous talent for brewing a mood of fine suspense with clever direction and cutting is spent on a nigh suspenseless script.
One of the most astonishing-looking films in all of black-and-white cinematography.
May or may not rank with Hitch's greatest masterpieces, but its premise offers perhaps the most compelling variation on his favorite theme, the innocent man wrongly accused.
I Confess suggests Hitchcock’s experimental urge to incorporate less overt artificiality into his vision.
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