Lee infuses the film with just enough humor to keep it from becoming unremittingly bleak, but the overall impact is harsh and caustic.
The Ice Storm (1997)
Tomatometer
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Reviews Counted:54
Fresh:44
Rotten:10
Average Rating:7.6/10
Consensus: Director Ang Lee revisits the ennui-laden decadence of 1970s suburban America with deft humor and gripping pathos.
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: Director Ang Lee's main concern is a subtle examination of family life that he began with THE WEDDING BANQUET and EAT DRINK MAN WOMAN. With THE ICE STORM, Lee creates a truly American period film... Director Ang Lee's main concern is a subtle examination of family life that he began with THE WEDDING BANQUET and EAT DRINK MAN WOMAN. With THE ICE STORM, Lee creates a truly American period film that is equally concerned with family relationships, set in 1970s New England. It is Thanksgiving, 1973, and the Carvers and the Hoods are two prototypical suburban families seemingly living the good life in New Canaan, Connecticut. Behind their New Age philosophies and polyester fashions, however, lies deep discontent. One husband carries on an unsatisfying affair with the other family's wife, while his teenage daughter experiments sexually with both of the neighbor's boys. When a winter storm descends upon their upper middle class neighborhood, buried resentments bubble over, leading to a tragedy neither family will ever forget. An intense, well-acted drama based on the novel by Rick Moody, THE ICE STORM is a masterly depiction of the frigid emotional life of suburbia. Great care was taken to accurately recreate the fashion, philosophy, and music of the 1970s without devolving into camp. Sigourney Weaver, Kevin Kline, and Joan Allen all excel in their roles, but it is the younger actors (Christina Ricci, Tobey Maguire, Elijah Wood, Adam Hann-Byrd) who steal the show. [More]
Starring: Kevin Kline, Sigourney Weaver, Joan Allen, Tobey Maguire
Starring: Kevin Kline, Sigourney Weaver, Joan Allen, Tobey Maguire, Christina Ricci, Henry Czerny, Courtney Peldon, Adam Hann-Byrd, David Krumholtz, Jamey Sheridan, Elijah Wood, Katie Holmes, Michael Cumpsty, Allison Janney
Director: Ang Lee
Director: Ang Lee
Screenwriter: James Schamus
Producer: James Schamus, Ted Hope, Ang Lee
Composer: Mychael Danna
Reviews for The Ice Storm
It's unfortunate that as capable a team as director Lee and screenwriter-producer Schamus should have become fascinated with such unpromising material.
The Ice Storm has delightful moments of humour, but it is essentially a sombre film. But don’t let that put you off.
I don't know when I've seen actors realize so many affecting moments in such a muddled conception. Lee's aestheticized approach is its own kind of ice storm.
While I'm not the type of moviegoer who needs everything neatly spelled out, I do appreciate some sense of closure. In the end, this film is an enjoyable one, but it may be a little too hip for its own good.
Everyone is uptight, on the verge of breakdown, shrill and too aware of their various audiences. The film captures this sense of 'verge-ness' perfectly.
Lee is adept at creating a vivid sense of place, using numerous establishing and tracking shots to make the wistful, forlorn atmosphere of New Canaan come alive.
The Ice Storm proves that a movie can most effectively and entertainingly study the disintegration of a society without soap-opera melodramatics or blazingly photographed uproars.
[Ang Lee] aptly underscores the depressing gloom of the piece through the dark, blue-tinted cinematography of the talented Frederick Elmes, and the nervously restrained low-key performances of his superb ensemble of actors.
The Ice Storm is perceptive about people, relationships, and human nature, and there's not a single moment in the entire 112 minute running length that rings false.
most effective at capturing the desperately hip attitude that seemed to hang like incense smoke around upper-middle-class/lower-middle-age adults in the early years of the Me Decade.
Lee daringly chooses to keep his story's motivational mysteries unexplained, leaving this richly observed film open to the viewer's assessments. Yet the sense of imbalance is ever-present and strong.
Oddly enough, the Taiwanese-born Lee manages to capture the look and sound of the '70s better (at least more accurately) than Paul Thomas Anderson did in Boogie Nights.
This is one of those films in which nothing seems to be 'happening,' but in retrospect, when it's over, everything seems to have happened.
Latest News for The Ice Storm
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