You have to hand it to those OutKast fellas -- even when they make a mess, they do it with style.
Idlewild (2006)
Tomatometer
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Reviews Counted:122
Fresh:58
Rotten:64
Average Rating:5.7/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Runtime: 2 hrs 1 min
Genre: Dramas
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
Reviews for Idlewild
Fans happy to luxuriate in its artistic indulgence, however, will be swept up in the weird, random, fantastic OutKastness of it all.
For a band whose music is suffused with such delicate irony, you’d expect at the very least for there to be a few laughs along the way? There are none. Nothing. Zero.
While it's visually inventive, the story's too trite and clichéd to be meaningful.
the shopworn cliché of the soulful, small-town piano player in love with the sultry chanteuse from the big city has less sizzle than saccharine, failing in every respect to match the passion or the energy of the rest of the film. Darn.
An imaginatively rendered and ultimately touching expression of the collision of creativity and responsibility, and the former bursting through the constraints of a small town outlook of diminished expectation.
Imbues tried-and-true movie musical archetypes with sly but never campy contemporary flourishes, in a way that would make Baz Luhrmann proud.
Easily the most wildly innovative film of the year, despite the dull title, Bryan Barber's dynamo is a fusion musical.
The good stuff is really good, and, although you'll wish for a fast-forward button, it isn't going to pop at home like it does on the big screen.
As unlikely as it seems that the music segments would be the weakest parts of Idlewild, however, it's just as surprising that the rest of the movie stands up pretty well.
There will probably never be a marriage between a great movie and a great album, but I'm glad they keep trying.
Bryan Barber's first feature also tweaks gangster movie conventions with brilliant choreography, hip-hop beats, and inventive images.
Easy to peel apart for flaws, Idlewild is also easy to enjoy if you go with its jived earthiness.
A stylish, energetic romp of 1930s flair with two platinum-selling artists kicking the tires of Hollywood paradigms.
Idlewild is a long, lively ride down a bumpy road that has terrific scenery along the way. It has flashes of brilliance and stretches of drudgery.
Like too many video directors turned filmmakers, Barber has forgotten having more than four minutes to tell a story does not mean take your sweet time getting to the point.
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