While it's visually inventive, the story's too trite and clichéd to be meaningful.
Idlewild (2006)
Tomatometer
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Reviews Counted:122
Fresh:58
Rotten:64
Average Rating:5.7/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Runtime: 2 hrs 1 min
Genre: Dramas
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
Reviews for Idlewild
For a band whose music is suffused with such delicate irony, you’d expect at the very least for there to be a few laughs along the way? There are none. Nothing. Zero.
You have to hand it to those OutKast fellas -- even when they make a mess, they do it with style.
Fans happy to luxuriate in its artistic indulgence, however, will be swept up in the weird, random, fantastic OutKastness of it all.
[Idlewild] achieves magic -- something sorely missing from so many movies these days -- and does so via a philosophy of respect, but not reverence, for what's come before it; it never recycles, it just reimagines.
Aggressive direction. Aggressive, bold, confident & unabashed. The cinematography -- flat out gorgeous. This film busts out of the projector's gates like a break dancer on ice.
Idlewild has a sober, loving respect for history and the old South, and thereby grants itself a measure of distinction.
Animated musical notes jump from their staffs with frenzied glee and stop motion dancers fly high in a kaleidoscope of color, rhythm and joy. What's not to love?
True, it's a little late in OutKast's career for Andre 3000 and Big Boi to make their 'Purple Rain' move, but who would have expected them to leap straight to 'Graffiti Bridge'?
There's nothing compelling about the characters or story, and that maroons Idlewild within the category of disposable entertainment.
OutKast's much-ballyhooed Prohibition-era musical is a dense, confusing jumble of old-school and new-school, gangster and gangsta, that never pauses long enough to tell a cogent story.
I was completely under Idlewild's spell. I tapped my feet the entire ride home.
Imbues tried-and-true movie musical archetypes with sly but never campy contemporary flourishes, in a way that would make Baz Luhrmann proud.
When Angel brushes off Trumpy with the line 'Can the artist get a little space around here?', you may agree that the question deserves a qualified 'yes' answer.
the shopworn cliché of the soulful, small-town piano player in love with the sultry chanteuse from the big city has less sizzle than saccharine, failing in every respect to match the passion or the energy of the rest of the film. Darn.
Idlewild's brazen approach to cinematic entertainment is one of its brightest lights.
Idlewild comes alive only during the production numbers, which look and feel more like music videos than music as storytelling.
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