You have to hand it to those OutKast fellas -- even when they make a mess, they do it with style.
Idlewild (2006)
Tomatometer
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Reviews Counted:122
Fresh:58
Rotten:64
Average Rating:5.7/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Runtime: 2 hrs 1 min
Genre: Dramas
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
Reviews for Idlewild
Fans happy to luxuriate in its artistic indulgence, however, will be swept up in the weird, random, fantastic OutKastness of it all.
While it's visually inventive, the story's too trite and clichéd to be meaningful.
For a band whose music is suffused with such delicate irony, you’d expect at the very least for there to be a few laughs along the way? There are none. Nothing. Zero.
A movie so oblivious to convention and structure that it seems like a Jackson Pollock splatter-painting, without the crucial 'genius' part.
... a tremendously enjoyable, if somewhat disconcerting, experience along the lines of the Dr. Seuss-penned cult fave The 5,000 Fingers of Dr. T
Idlewild is what it is, though you may never be quite sure what that 'is' is. Still, it's a professional-looking picture, filled with talented, likable performers who give it their best.
There are moments in Idlewild that resonate with the painful 'if only' of missed opportunity, and more than a few that just make you scratch your head.
It's a vehicle for OutKast's music and personality in which the music and lead roles feel like afterthoughts.
If "Harlem Nights" and "Moulin Rouge" had a baby, it would be the entertaining, uneven but delightful "Idlewild."
In spite of several inspired moments where it exhibits some genuine promise, this desperate attempt to be all things to all people ends up sabotaging any potential to make a memorable contribution to the annals of cinema.
A sludgy, badly photographed, poorly edited bungle whose musical numbers never pop.
Call me crazy, but hip-hop floor shows weren't an especially common sight in the 1930s Deep South.
At once magical and a mess, this musical marks a bold first foray into cinema for hip-hop duo OutKast.
Pretty good for an August dump movie... It's kind of Moulin Rouge light... I don't know anything about music, let alone hip hop, but all of the songs are catchy and the choreography is wonderful.
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