Idlewild (2006)
Tomatometer
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Reviews Counted:122
Fresh:58
Rotten:64
Average Rating:5.7/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Runtime: 2 hrs 1 min
Genre: Dramas
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
Reviews for Idlewild
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For a band whose music is suffused with such delicate irony, you’d expect at the very least for there to be a few laughs along the way? There are none. Nothing. Zero. Full Review |
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Fans happy to luxuriate in its artistic indulgence, however, will be swept up in the weird, random, fantastic OutKastness of it all. Full Review |
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You have to hand it to those OutKast fellas -- even when they make a mess, they do it with style. Full Review |
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While it's visually inventive, the story's too trite and clichéd to be meaningful. Full Review |
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Its hodgepodge plot only heightens its stale smell Full Review |
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Though not as good as I hoped it would be, it's still an above par musical effort in the end... Full Review |
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1930s black America becomes just a stage for OutKast's vanity project. Full Review |
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Neither fish nor fowl. Nor foul, either, though not great--and ultimately, more idle than wild. Full Review |
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In spite of several inspired moments where it exhibits some genuine promise, this desperate attempt to be all things to all people ends up sabotaging any potential to make a memorable contribution to the annals of cinema. Full Review |
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The music, which sounds like a collaboration between Cab Calloway and Run DMC, keeps the story flowing. Full Review |
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Idlewild overflows with inventiveness and random weirdness that sort of make it a must-see even if it isn't a particularly good film. Full Review |
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an eccentric, audacious musical that, like "Moulin Rouge," blends backstage drama, tragic romance and flights of fantasy into a story that bravely jumps from genre to genre and from era to era. Full Review |
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An imaginatively rendered and ultimately touching expression of the collision of creativity and responsibility, and the former bursting through the constraints of a small town outlook of diminished expectation. Full Review |
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