This film is very, very weird, and that may put off some people. It's a fun way to blow an afternoon though.
Idlewild (2006)
Tomatometer
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Reviews Counted:122
Fresh:58
Rotten:64
Average Rating:5.7/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Runtime: 2 hrs 1 min
Genre: Dramas
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
Reviews for Idlewild
True, it's a little late in OutKast's career for Andre 3000 and Big Boi to make their 'Purple Rain' move, but who would have expected them to leap straight to 'Graffiti Bridge'?
You can almost feel the filmmakers' excitement about what they're achieving. You want it all to work, and a good bit of it does.
It's a vehicle for OutKast's music and personality in which the music and lead roles feel like afterthoughts.
... a tremendously enjoyable, if somewhat disconcerting, experience along the lines of the Dr. Seuss-penned cult fave The 5,000 Fingers of Dr. T
This may be one of those cases in which the soundtrack is better than the movie.
Idlewild's brazen approach to cinematic entertainment is one of its brightest lights.
You wouldn't think a musical would suffer from a lack of music, but here we are.
Part-musical, part-melodrama, all Outkast... Idlewild is just plain fun.
spends a great deal of time distracting us from the story with all sorts of visual eccentricities
The evident affection for this romanticized vision of the era saturates the film like the warm sepia tones of its palette.
When Angel brushes off Trumpy with the line 'Can the artist get a little space around here?', you may agree that the question deserves a qualified 'yes' answer.
[F]antasy like we like our movies to be, a cinematic phantasmagoria of a dream version of the past... lush, rich, ridiculously romantic...
A weirdly inconsistent movie enjoyable only in fits and starts; but the fits are pretty spectacular.
Idlewild stands out as a ground-breaking, clever, original musical that crosses audience demographics as it does genres.
The joint doesn't jump in the OutKast musical Idlewild; it just twitches and stumbles.
This musical's uncertain blend of rap and 1930s jazz never completely jells, but the lovely sepia-toned photography lends period flavor, and the whole thing wraps up with a Busby Berkeley-style production number.
Idlewild is an engaging, original movie musical. It turns all sorts of pop cultural icons on their heads and delivers a smart commentary on race and class in 20th Century America.
A movie so oblivious to convention and structure that it seems like a Jackson Pollock splatter-painting, without the crucial 'genius' part.
If, like me, you like OutKast just fine but staggered out of Moulin Rouge reeling from the quick-cut-induced nausea, you'll leave Idlewild tapping your toe and scratching your head at the same time.
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