While Burger's screenplay isn't always graceful, the movie's lovely enough that you might not notice.
The Illusionist (2006)
Tomatometer
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Reviews Counted:173
Fresh:128
Rotten:45
Average Rating:6.9/10
Consensus: The Illusionist is an engrossing, well-crafted story of mystery, magic and intrigue that is certain to enchant, if not hypnotize, audiences.
Theatrical Release:02-03-2007
Synopsis: In a world where nothing is as it appears, an illusionist and a police inspector face off in a challenge of wills that attempts to determine where reality ends and magic begins...all the while... In a world where nothing is as it appears, an illusionist and a police inspector face off in a challenge of wills that attempts to determine where reality ends and magic begins...all the while blurring the line between power and corruption, love and devotion, vigilance and mania and ultimately, life and death. A supernatural mystery that combines romance, politics and magic, The Illusionist is the latest film from the producers of the Oscar® winners Crash and Sideways. The film stars Academy Award® nominees Edward Norton (Fight Club, American History X) and Paul Giamatti (Cinderella Man, Sideways) as two men pitted against each other in a battle of wits. Norton plays a mysterious stage magician, Eisenheim, who bends nature's laws to his will in front of awestruck crowds. Giamatti co-stars as Vienna's shrewd Chief Inspector Uhl, a man committed to uphold the law and for whom magic holds no place in his ordered world. Jessica Biel (Elizabethtown) shares the screen as the beautiful and enigmatic Sophie von Teschen, who finds her future inexorably altered when she encounters the man called Eisenheim, and Eisenheim comes dangerously close to unlocking the dark secret of the monarchy that she holds. When Eisenheim begins to perform his astounding illusions in Vienna, word quickly spreads of his otherworldly powers...even reaching the ears of one of Europe's most powerful and pragmatic men, Crown Prince Leopold (Rufus Sewell, Dark City). Certain that the illusionist is nothing more than an accomplished fraud, Leopold attends one of Eisenheim's shows, convinced that he can debunk him during the performance. But when the Prince's beautiful fiancé and companion, Sophie von Teschen, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods-and a dormant love affair is rekindled. With Eisenheim and Leopold vying for Sophie's affection, it quickly becomes apparent that both will go to any length to claim and keep her love. As the clandestine romance continues, Uhl is charged by Leopold to intensify his efforts to expose Eisenheim, even while the magician gains a devoted and vocal public following. With Uhl doggedly searching for the reasons and the man behind the trickery, Eisenheim prepares to execute his greatest illusion yet. The Yari Film Group presents a Michael London/Koppelman Levien Production, In Association with Contagious Pictures, of A Film by Neil Burger: The Illusionist. The film is written and directed by Neil Burger-who received acclaim and award recognition for his debut feature, 2002's Interview with the Assassin-and is based on Pulitzer Prize-winning author Steven Millhauser's short story "Eisenheim the Illusionist." It stars Edward Norton, Paul Giamatti, Jessica Biel and Rufus Sewell. The Illusionist is produced by Michael London (Sideways), Brian Koppelman (Interview with the Assassin), David Levien (Interview with the Assassin) and Bob Yari (Crash), and features top-notch production values from a team of superlative artisans, including: director of photography Dick Pope BSC (Topsy-Turvy); editor Naomi Geraghty (Hotel Rwanda); production designer Ondrej Nekvasil (Emmy winner for TV's Anne Frank: The Whole Story); costume designer Ngila Dickson (Oscar®-winner for The Lord of the Rings: The Return of the King); and composer Philip Glass (Academy Award®-nominated for The Hours). Casting is by Deborah Aquila ASC, Tricia Wood ASC and Nina Gold. The executive producer is Jane Garnett, with Tom Karnowski, Matthew Stillman and David Minkowski serving as co-producers. [More]
Starring: Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell
Starring: Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell, Eddie Marsan, Jake Wood, Tom Fisher, Aaron Johnson, Eleanor Tomlinson
Director: Neil Burger
Director: Neil Burger
Producer: Michael London
Screenwriter: Brian Koppelman, David Levien
Producer: Cathy Schulman, Bob Yari
Composer: Philip Glass
Studio: Yari Film Group
Reviews for The Illusionist
A well-mounted, well-acted and sporadically engrossing historical romance that isn't quite as magical as it wants to be.
A handsome and lushly mounted film with a narrative that couldn't sustain an hourlong PBS mystery, and acting that teeters on the comical in its contrivance.
Dogged by an inert, stale aura that overcomes everything and everyone in the movie.
Because the plot spins out in such a smooth fashion and the acting is so darned good, we're distracted from the film's flaws.
The Illusionist has several tricks up its sleeve, not the least of which is Edward Norton's impeccable performance as a master magician in turn-of-the-century Vienna.
Even when you feel the story slipping - which does occur halfway through - Burger rips your eyes away from any possible digressions and averts them back to the movie.
It's tough to mix SF and romance successfully in a costume period film, but so far, this is the Somewhere in Time of this millennium
The ludicrous climax, full of run-that-by-me-again flashbacks delivered at Keystone-cop speed -- oh, if only he could make that disappear.
The ending dispels a lot of the magic, but the silent-movie palette is gorgeous, and the film is worth seeing for the inspired hamming of Paul Giamatti as Vienna’s chief inspector.
Burger has assembled an elite group of singular, precise performers whose efforts synthesize into a trove of highly glamorous delights.
You might not buy all the twists and turns here, but like a magician’s act, it’s more fun to go along with it and not to question things too much.
Elusive and stunningly rich, The Illusionist, with its big-budget look and indie sensibilities, is a haunting romance wrapped in an enigma.
Screenplay exaggerations and misdirections aside, this is where entertainment lies.
Norton ... should set the tone for this moody, tempestuous story - an obvious model is Heathcliff of "Wuthering Heights" - but he never becomes that sort of roiling figure.
There is a formal reverence for the unspoken loyalty between Eisenheim and Sophie that elegantly expounds on the period aspects of the story to create an atmosphere of timeless devotion and uncommon humility.
wildly romantic, playfully profound, and a cipher with many sides, all equally alluring
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